>the last minute of "Starless"
ITT: Musical orgasms
>the crushing part of Flood III
The mellophone on starless is awesome. Shame that instrument never caught on more. One of my favorite albums.
>the fucking clarinet crescendo
>the final two minutes of "Inamorata"
bump
>The riff that opens Bastard
LOOOOOOOOOOOOOORD I CANT CHANGE, WONT YOU FLY HIGH OH FREEEEEEEEEEBIRRRRDDDDDDD?
>the last two minutes of Sheep
>breakdown baby
that's my least favorite part of the album desu. almost ruins the whole song for me
BASTARD
MOTHER, FATHER, NO....
TIME MOVES QUICKER
THAN YOU WILL EVER KNOW
>xmas @ 03:45
>ending of Suburban War
>When Flowers starts
>the closing moments of Horizon
>the trombone solo at the end of "Bird's Nest"
Or the breakdown on World's End.
>Windowlicker's outro
17th minute of Pink Floyd's Echoes
>the second half of Lore
>when the voicemail comes on on birthday boy
My nigga.
>when Bruford comes in with that 13/4 beat
>"I am your conscience, if you do not hear me you will be history, Kendrick"
>the segue from Fat Lenny to Cold And Wet
>those guitar solos at Waiting (Phase One)
I would go with the start of I'm Dying of Thirst personally, really the climax of the album
I'm listening to that song right now.
Makes me sad.
>female voice in the background
>guitars going mad
>female voice is starting to sound more clear
>tension
>tension
>tension
>keyboards show up in the most epic way possible and now you can listen to the woman 100% clear and everything goes perfect
ALL MY OLD FRIENDS
THEY DON'T KNOW ME NOW
>I WASN'T SURE IF WE COULD BE FRIEEEENDS
I remember not understanding the hype for this album back when it came out until I listened to this part.
>when the breakdown kicks in at Everday
DUHDUH DUHDUH DUHDUH DUHDUH DUH DUH
>to see if I still liked it...
>I DID!
>face melting riff
>dat dissonant guitar solo in Larks Tongues part 1
Yes, every road leads to an end
Yes, every road leads to an end
YourApparitionPasses
THROUUUGH MEE,
IN THE WILLOWS,
AND FIVE RED HENS,
You'll never see us again,
You'll never see us again
Outro on PDA
>the intro to IOU
>the "ALL WE GOT IS" before the second chorus on Dead Disco
>AND THE WILLOWS
AND FIVE RED HENS
>tfw I figured out that Sufjan is saying how insignificant the apparition passing through him is.
All of Altitudes
>when the band comes in on Pink Maggit
The outro of this song youtube.com
That's right
That's wrong.
The reprise-with-reverb of all the motifs from the first 15 minutes of CTTE. Shoutout to Wkeman's underrated ability with soundscapes.
LETS LEAVE OUR BODIEEEEEES
LETS LEAAAAVVEEE OUR BODDDDIES
PULLL OUR SKINNNN FROM OURRRR BONNNNES
When the lone guitar riff comes in on about 7:00 in the title track
one of the worst track on the album
Honestly yes, but that part makes it up for me
awful opinion its an incredible closer
fucking came here to post exactly this. jane doe is an album i always end up coming back to for feels
youtube.com
This vid of Funeral, Bastard and Death of Music is fucking amazing if you have the time. Cannot wait to see this guy live in May
THIS... IS... FOR... THE HEARTS... STILL... BEATING
6:25 in Grembo Zavia
>left out
>2:02
>the part with the glass breaking in the background on YYZ
I feel like im the only one who hates windowlicker's outro
I always skip it because I hate it that much.
It completely ruins it for me
>the closing section of Supper's Ready
that album has multiple orgasmic moments
>crescendo at the end of The Death of Music
>hook of Regulator
>outro of Voices in the Fan
>drum pattern change in Seventh Wave
>last few minutes of Bastard
>outro of Funeral
>last 4 mins of White Walls
>key change near the end of Ants of the Sky
>intro riff of Prequel to the Sequel
>SSLLEEEPP OOON, FFLLYY OONN, IN YOUR MIND, YOU CAN FLY
>guitars appear on the first track
>build-up to White Walls during Viridian
>TO BUILD A NEW JERUSALEM
>4:13 of Mass Production
>Outro of Garden of Light
E1M8 from Doom was based on starless
>every single section of this 11/10 album
fucking whole album m8
youtube.com
>Skip to 3:00
Something about both the 70s and 80s linups playing this makes it extra special...even though im not a massive fan of Rabin. The vocal harmony in the build up is so good.
Outro of Echoes.
I personally prefer everything on mosquito control, and most of aaron's side projects to be fair.
i feel you could have chosen better, friend.
I mean it was just one example.
>Most of Dogs
Last two minutes of Clint Eastwood.
Little nostalgia, but mostly just a perfect ending to the track.
apologies.
it is a great moment, just i felt there are better.
No worries.
SNARE SNARE SNARE SNARE
absolutely
youtube.com
11:00, the last two minutes of Nothing Ever Happens is great in general, though this version is the best.
> melophone
It's called a mellotron you fucking donkey
The sudden freak out on Who Are The Brain Police
this is a really good one
>1 2 3 4 5! Break it down baby!
>When produk's beats match up
Yeah, that outro is great
>The scratching on luvsic
>Clint Eastwood in general
>*When you sleep starts
>the chorus to Lucy in the Sky With Diamonds
The viola on Venus in Furs
>I CAN'T TAKE MY EYES OFF YOU
This so much
>tfw I like the haunting build up of In the Air Tonight with its subtle instrumentation more than the drum part
It's a damn shame Phil never made an entire solo album of that type of artsy pop without his usual ditties
>Duke's Travels
The last three minutes of this album is the greatest payoff of all time
His first solo album is the closest he ever got to that, even then it's actually surpisingly varied and adventurous for an early 80s album. Too bad he decided to minimize effort to grab more money after that one, he could have gone the Peter Gabriel solo route.
I AM THE ONE WHO GUIDED YOU THIS FAR
>The feedback on Heroin.
>All of Murder Mystery.
>When the organ on Sister Ray comes in.
The last 30 seconds of Avatar
>we're all gonna die
Fuck you.
That song makes me cry some real nigga tears mang