>At least 4'33" generates some discussion about the limits of music etc, ASAP is literally just a 600 year long gimmick What an amateur
Dylan Kelly
It is actually called ASLSP and the point of it that each note is sustained "as long as possible". Playing it on the organ is a stunt as the sustain is much longer but playing it on piano gives a much shorter work which easily fits on a CD.
Yeah, I was always fond of those old Joachim recordings. It's one of the few early recordings that I'm particularly fond of. His elegant portamenti are truly beautiful.
Adam Young
How does that work? I thought organs had basically infinite sustain if they were continually powered, but I don't really know how organs work.
Daniel Wood
I'm unable to like Beethoven's string quartets.
Zachary Diaz
Good for you, they suck.
Kevin Russell
Petzold
James Walker
>you will never find a satisfying performance of Mozart's string quintets Why even live?
Ryder Long
>Sup Forums is such a shit board it doesn't even get a meme merge today
Jeremiah Young
always been satisfied with Griller / Primrose myself
Way too slow, it doesn't really do any favors for a piece like this. I genuinely experienced feelings of claustrophobia listening to this performance because of how familiar I am with the work.
How could you possibly dislike #13 for example? At least mention stuff that you do like so we can get an idea as to what's wrong with you.
Dylan Rodriguez
To be honest, from that period I almost always prefer Schubert.
The question is does the curtain match the drapes?
Isaac Ramirez
who would win in a fist fight, Bach or a relict hominid
Xavier King
BWV 553
Nolan Watson
Petzold
Henry Wright
Could someone give me some recommendations for recordings of the Brandenburg Concertos.
Aiden Thompson
I'm a music conservatory graduate. I spent years analyzing music for grades, so when I come across something that's garbage, I know. Mozart's music has the melodic complexity of a train horn (actually less; train horns often are tuned to a tritone, which seem to be absent in his music) and the lyrical complexity of his non-traditional vocal works barely surpasses 3rd grade vocabulary. Not only is this music intended for ignorant audiences, it's intended to turn impressionable young people into bad composers. How's that for an unpopular opinion?
>tfw /classical/ is so slow that the identification of pieces is never properly acknowledged, even when it's pretty impressive FUHRER PROOF (SIEG HEIL) avant teens OUT
James Hughes
STOP BULLYING JEWS
Lincoln Turner
Except Couperin started off with late-romantic Americana, decided that he should explore serialism and then ended up decided that writing stuff that would appeal to the average communist prole was the way forward. What an idiot
>Couperin obviously meant Copland. would be funny had Couperin pioneered Americana in 18th century France.
Jonathan Butler
His works had many layers of irony though; in a way he was making for of the goy
That makes him a legend in my book
Ryan Cook
Too bad his high talent didn't make up for his low intelligence
Justin Thomas
I'm just sitting here wondering how someone goes to a conservatory, and comes out a pretentious hipster who's worse than a pleb. Plebs like Dvorak, at least. Academia truly is cancer.
I see this thread has been overtaken by people who enjoy loud noise but cannot appreciate truly complex music ; it is clear you Boeotians cannot understand musical theory, as well as I do.
Therefore, I'll leave this so you can cultivate yourselves a bit.
