I'm back
>Sentimentos
Proof that Pascal Comelade's best work comes from some sort of minimalist and contextual genius. The formula is exactly the same, but the "magic" isn't there.
>We Are Him
Monolithic gothic psych-folk. I kind of like Swastikas for Noddy so this gets a positive score.
>By The Throat
The emotional delivery came off as melodramatic and cheesy. At least it was tastefully short.
>Weird french title (it's Raein)
Possibly the softest screamo album I've listened to, and that's a good thing. It's like an incredibly angsty fever dream.
>The Stalker
Nothing too special, but SV seems to have a particular aesthetic niche that they fulfill nicely in their work. Enjoyable
>Technicolor
Part of the allure of "Di Go Pop" was the combination of warped, velvet-esque, mysterious melodies with a blown out, sparse, and interesting sound palette. Here the former seems to have been neglected. Now this sounds like washed out 90's indie pop.
>Oktophonie
In layman's terms: This shit is fucking rad. The whole dialogue between Micheal and Lucifer got a bit on the nose. Maybe it's cooler when you know German or something.
>Corpus
Industrial punk combines with popular alternative music. It's an ugly accident
>A Hairshirt of Purpose
This album seems to focus more on slower, more drawn out songs. Quite a contrast from it's excitable brother (Dripping). I for one missed the inventive guitar work, song structures, and vocal performances.
>Watertown
It's very solid. It's also very boring.
>Der Jahreslauf
I'm not going to lie, I feel as if I understand this less than Oktophonie. I'm going to stop there because I cannot critique classical music.
>My Pal
Every facet of this song bleeds desperation and defeat. I feel this right now i'm not going to lie.
Okay i'm done embarrassing myself. I might give my two cents on the rest later. If you want me to expand on anything else on the chart, let me know.
