hey what do u guys Think of Gorecki's 3rd I know it's a meme and it's really bad but something about those descending melodies at the end are sort of strange to me, has this lulling sense of calm with something horrible present, like a scene from a soap opera where Everything is covered in cobwebs and there's morning dew in the cobwebs and there's this mellow orange light over Everything and it's all gross and strange while still being comforting in some way. I feel like it has the emotional range of a soap opera, and doesn't express actual angst or sorrow like let's say a bartok string Quartet. But i Think there's something enticing in how it's so tame and eventless while still trying to be emotional and sorrowful, creates this gross sticky aura about it. What do yu guys Think
I give it 5 out of 10, try changing the harmonic rhythm; perhaps with some anticipations, suspensions etc. You just dont want it to be clunky and awkward, make the listener want the chords.
Jaxon Wright
Mahleranon are you here? How is Oskar Fried's Mahler? Especially in comparison to Mahler's other groupies like Walter and Mengelberg?
Joshua Gray
He's definitely the best in that particular interpretive approach
Benjamin Powell
My only problem with the auto-generated Youtube stuff is that a lot of it is incorrectly tagged/organized. I suppose this is to be expected with auto-generation, but it can still be kind of annoying.
But, yes, there's a surprising amount of stuff on Youtube, even some rarer recordings which I am surprised are on there at all.
He's interesting in the sense that he and the audio engineers of his time managed the feat of a full acoustical recording of Mahler's 2nd, but that's mostly it.
The only Fried I've listened to have been acoustic recordings, so I've always been a bit ambivalent about them, as they're only barely musical. I can tolerate acoustic recordings when it's a solo piano or a violin, but a full orchestra is rarely done justice, and the recording conditions themselves were often poor and very cramped. I remember reading an article regarding Walter's first time recording in the early 1900s, and he said it was one of the most unpleasant experiences he had.
I know there's a few non-acoustic recordings of Fried, but I haven't heard them. iirc Arbiter issued some of his stuff from the late 1930s, right before he died.
Michael Brooks
Oh, right, I did hear his Beethoven 9th, which was a very early electric recording.
Unfortunately I've only heard it in a pretty bad transfer, and didn't find it particularly remarkable aside from the astonishingly well sung finale.
Robert Nguyen
Kill yourselves.
Score it for organ next time ; it sounds better in MIDI. Also post the score.
>not enjoying prokofiev How does it feel being a pleb
David Miller
Spread it on two staves desu
Asher Price
Parallel fifth on m.1
Parallel octave between m.1,2 and m.2
Parallel octave on m.2
Parallel octave on m.4
Hidden fifth between m.5,2 and m.6
Hidden fifth on m.6
Parallel fifth between m.6,2 and m.7
Parallel fifth on m.8,1.
Parallel fifth between m.8,2 and m.9
Parallel fifth between m.10,2 and m.11
Parallel fifth on m.11
Parallel octaves on m.13.
Parallel octaves on m.14 and parallel fifth between m.14,2 and m.15
Two (2) parallel fifths between m.15,4 and m.16.
Connor Cox
too lazy
Yes i KNOW about the parallel movement....which is why I said "pseudo" 4 part. The problem is its supposed to be the chorus of a metal song I'm working on and the chorus is a 3 chord progression (Em, CM, DM) so I had to fudge things to try and make it fit.
Nolan Clark
>the chorus of a metal song I'm working on and the chorus is a 3 chord progression (Em, CM, DM) Kill yourself and never return here again
Aaron Hill
>me and my girlfriend *My girlfriend and I
Jordan Lewis
>the chorus of a metal song I'm working on and the chorus is a 3 chord progression (Em, CM, DM)
that's cute. did you write the midi and then use a website to convert with a soundfont or?
Brandon Price
Classical music really brings out the conceited morons doesn't it. The once that think listening to Beethoven makes them an expert on everything else. There's absolutely nothing grammatically wrong with the construction "me and my..."
Jose Howard
You just don't get New Complexity.
Grayson Martinez
Damn I bet he had an orgy afterwards
Jace Walker
Its gramatically incorrect. You wouldn't say "r8 my pseudo-4part harmony that me wrote, /classical/"
Gavin Lewis
Here's another odd thingy I notated the other day. Roast me, /classical/
This sound like TV Commercial music or gay anime music
Aaron Perry
It's not really good tbf famalam
Jace Jenkins
>that's cute thanks
>did you write the midi and then use a website to convert with a soundfont or? use finale/an alternative
Gabriel Wood
>vocaroo.com/i/s1xMBtFbzoNT Yo my four year old niece can do that too. If you're going for a shitty interpretation of Ligeti you nailed it. Maybe post something when you learn how to use a fucking tone matrix
Andrew Thompson
Thanks for the (You) lad. I just smashed my piano keys
Michael Sanders
You should probably sell your piano on ebay and kill yourself while your at it
Thomas Morgan
>getting this upset over a Sup Forums post nice dubs btw
Connor Morris
>ECM would be a good label if not for all the jazz and world "music" on it
Isaiah Evans
>you >knowing what a ii - V is
Oliver Parker
Jass music is the worst meme of 20th century music. >hurr let's appropriate classical instrumentation and use it make shitty popular music for denegerate urbans >but i don't know how to play music cuz they keeping me down >it's okay just bash around like a primate and people will hail it as "art" because it's "improvisational"
Leo Long
Mahler is everything Wagner wishes he could be.
Aaron Bennett
they both suck
Jack Edwards
>it's ok just bash around lake a primate and people will hail it as "art" because it's improvisational
What man, you don't value your self worth in how many Bird licks you know
Asher Stewart
ClASSical music is the worst meme of all time >hurr let's appropriate folk instrumentation and use it to make shitty popular music for degenerate academics >but i know how to play music cuz i went to university >it's okay just bash around random keys like a primate and people will hail it as an "artistic fugue" because it's "academic"
Anthony Walker
...
Jason White
>let's appropriate folk instrumentation 2/10 for effort.
Brody Thompson
>Parallel fifth yeah let's pretend we're in the 18th century
Aaron Cruz
add more dissonances and you'll sound like Messiaen
Eli Stewart
If that was so he wouldn't have written only operas
Jack Thomas
Post a timestamped picture of your musicology degree along with at least ten (10) compositions that you've authored. Otherwise, you do not have the sufficient credentials to discuss erudite music.
Cooper Green
Are Takács overrated?
Zachary Torres
That cover gave me cancer, looks like something out of a cheesy metal band album.
Doing something a bit different this time : second exposition is an inversion of the first theme. Not sure if I like it or not. Usually I intuitively write the second exposition, as a more organic permutation of the theme.
>musicology >composing musicology composers are somewhat rare. Composers tend to study composition, musicologists tend to study musicology. Occasionally you have ethnomusicologist composers like Bartok or Kodaly, or Psathas today, who study folk music and notate it out. The stereotype is that musicologists are very dry and scientific and don't have a creative bone in their body, whereas composers tend to be all creativity and 'just enough science to get by'
Jackson Martinez
No they aren't
Connor Young
What are some good recordings without ridiculous dynamic range? I'm sick of fumbling with my volume knob and getting my ears blown off in the car
Isaiah Bennett
how long does it take to learn enough theory to be a composer?
Blake Brooks
a day what you really do is learning other composer's pieces, not some abstract theories
Jayden Diaz
Some composers don't know any theory at all. I would say to be recognized as a composer, you need to be able to write scores for classical performers without any help from an orchestrator, and have at least a basic understanding of music theory - chords, keys, instrument limits and capabilities. You never really stop learning as a composer, there's always something you don't know, or an area you haven't discovered yet. I would say a 3 year music degree at a college or university would give you a good grounding for being a composer. I would only recommend that if you already write a lot of music. You don't really learn to be a composer, you learn to be a better composer. Being a composer is either something you are or aren't.
Zachary Ward
you're in the wrong genre
try some Phase 4 Decca recordings, i guess. they have very squashed dynamics
Jace Martin
kys fucking pleb
Brayden Nelson
Compression has killed music, and you let it. Take this advice.
Grayson Bennett
Get out of this general
Justin Miller
Holy christ you normie fucking faggot The loudness wars are cancer
Connor Reyes
I don't want very squashed, just not extreme.
Thanks
Xavier Nguyen
Yeah sure
Go back to your brickwalled pop music libcuck
Jeremiah Gutierrez
In all seriousness, just put on your local FM radio classical station as there will be some dynamic range compression applied
Dylan Wood
just listen to baroque music
Aaron Taylor
>Nic Cage spotted at Vienna State Opera's Parsifal wew
Connor Rivera
wwwwwsdc
William Edwards
>bloody nose
link music for this predicament
Mason Hill
>Hey let me passively-aggressively tell you about my girlfriend!
Eli Flores
>was in Lords of War >goes to anti-war opera Pottery.
I'm having a hard time finding a full complete recording of Satie's Vexations to download, can anyone here help me out?
Luke Hughes
Vexations is a single page work, just because Satie added a comment about playing it hundreds of times, that doesn't mean you should. A few overly literal comedians doesn't make it HIP.
I'm completely aware of everything regarding this piece, and I disagree with the purpose not being to play it as instructed. Either way, I want a full 840 cycle recording. I already have that Van Veen collection; he actually did a full vexations recording but I cannot find a download link anywhere.
Blake Walker
Hah, you do sound ridiculous, good luck beating your head on the wall then I guess.
Evan Hughes
It's amazing how well French trolling works.
Only truly retarded faggots need 840 repetitions to get the "point". It's the same as mediation, you can either do it, or deck out in scented candles, yoga mats and white noise machines.
