moments in music that give you patrician-skin
i'll start:
> The transition from I Love Kanye to Waves
Moments in music that give you patrician-skin
Benjamin Hill
Other urls found in this thread:
youtube.com
youtube.com
youtube.com
youtube.com
youtube.com
youtube.com
youtu.be
youtu.be
youtu.be
youtube.com
twitter.com
Cameron Baker
>Down Colorful Hill (track)
>6:34
Logan Kelly
>those synths
youtube.com
Jason Jones
>New slaves outro
Ayden Cruz
>When the synths come in around the three minute mark in Kid A (the track).
Evan Harris
My fellow patrician nig
Colton Mitchell
youtube.com
>when the audio switches from mono to stereo
Nathaniel Morgan
Also from Metal Box: that screaming loop at the end of Swan Lake
Sebastian Walker
Thom's soaring falsetto on Like Spinning Plates
Luke Morales
>Patrician-Skin
you mean duck-domes?
Isaiah Nguyen
>duck domes
You mean dune knobs?
Luke Brooks
the whole album
Hunter Collins
>dune knobs
You mean dick zits?
Parker Hughes
IM NOT FUCKING AROUND
YOULL GO TO HELL FOR WHAT YOUR DIRTY MIND IIIISSS THIIIIIIIIIIIIIIIIIIIIINKING
DUH DUH DUH DUH G5 C5
HALELELELELELELELELELELELELELELELELUWAH
I AM LISTENING TO HEAR WHERE YOU ARE
PARK THAT CAR DROP THAT PHONE SLEEP ON THE FLOOR DREAM ABOUT ME
Benjamin Hill
the voice crack in Gimme Shelter gets me every time
Mason Kelly
what's the third one?
James Stewart
>And everyone of them words rang true
>And glowed like burning coal
>Pouring off of every page
>Like it was written in my soul
>From me to you
>Tangled up in blue
favorite song of all time honestly
Logan Cook
only shallow
Matthew Young
>IT IS 5 AM
>AND YOU ARE LISTENING
>TO LOS ANGELES
James Fisher
>HOLY
>LIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIGHT
Dylan Roberts
Dvorak's Cello Concerto, the transition to G minor in the second movement.
Jordan Mitchell
MSI is the last band I expect to get this feeling from, but the chorus from Backmask used to always get me. The guitar tone and the arpeggio that's almost sort of buried by the distortion and just the timing of it and shit is just orgasmic. Or at least it was the first time I heard it.
Cameron Wilson
OH SUNSHINE THE LOVING BEAUTY PASS ME BY
Jose Gutierrez
>The moment when for the first, last, and only time in the entire album Hawley uses an electric guitar.
It literally made me bolt upright mu.
Chase King
About 6:34 into Flood III, when I first heard the music explode was nirvana
Michael Hall
what did I come down here for?
Tyler Collins
That concerto is a masterpiece
Ethan Hughes
LIKE CROCODILES!
Sometimes I wanna eat him
Sometimes I just wanna meet him for a
Good meal but to eat you better win so loud
LIKE CROCODILES!!
Sometimes he just want a basement
Sometimes, man, he can never take it when he's
Down I look at you, he's deep inside his mind
Thinking about tortureeee
Don't let it get you downnnnn
There's other ways to fight torture
I hope it gets you around
Michael Morris
Agreed, certainly the best of it's kind
>you are now hearing the main theme of the first movement
Justin Morris
for
Hunter Harris
the weird voice that keeps changing in blame game
Landon Young
for me, it's that scary voice at the beginning of Monster
Brandon Jones
The autotune that starts Lost in the World
Mason Murphy
>PHANTOM PLEASE PUT ON MY MAKEUP
>queen in my pictures transitions into doggy
>the softest voice
>first 10 seconds of did you see the words
>I know there will be times, you wonder why it can't stay simple. Your mom and I, to pet your head and dress your lettuce
>all those harmonies on guy's eyes
>JOHNNIE WAALKERR
Levi Campbell
the voice at the start of dark fantasy
Michael Gray
that entire section is god-tier
Julian Foster
>HES DRILLING THROUGH THE SPIRITUS SANCTUS TONIGHT
>WHEN THE DARK HIP FALLS SCREAMING OH YOU MAMBOS
>YOU KILL ME AND KILL ME AND KILL ME
Nolan Brown
>her necks just the best
Josiah Campbell
Heroes, Wild Is The Wind, even Station to Station and a lot of his more powerful or beautiful songs
Isaiah Phillips
>When the chorus happens in Trampolines
youtube.com
>I Don't Know My Name's outro
youtube.com
Elijah Garcia
>ONJO - Lost In the Rain: the pause and the return, from 4:14-4:20.
>any of the solos in Messed Up Over You
>The Wolf transitioning into The Seer
>the 'keep smoking' bit in High To Death
>first chords of Das Wirtshaus
>WHEN THE DRUMS FUCKING HIT IN CONSUME RED (25:22)
>beginning of last piano movement in Snow, Silence, Partially Sunny (23:11) - and then honestly just constantly until the end
Lucas Myers
>Your daddy loves you very much
>he just doesn't want to live with us anymore
Asher Robinson
>When my Eurobeat megamix starts playing in my car
Wyatt Wood
>transition from Neukoln to Secret Life
How come no one ever mentions this? Criminally underrated.
Hudson Edwards
what the fuck is this
Ryder Evans
Depends on what "this" is
Xavier Reed
i've seen kkb spammed here, this is the first time listening. bubblegum garbage
Evan Johnson
My taste is eclectic
Jordan Ross
I always felt that that transition was kinda forced. The main theme of that movement though is absolutely gorgeous.
Jaxson Bennett
>When your hopes and dreams get #CRUSHED
Carson Perez
so do you like/dislike/are indifferent to kkb or do you love looking at big penises
Elijah Hughes
It's not forced, just unexpected and dramatic
Asher Price
youtube.com
a psychopath, a psychopath
he says me loves me
Logan Baker
last three guitar parts in adrift in the ocean. also that one tiny bridge riff in prepare the ground
Kayden Butler
Synth interlude in the middle of Left Hand Path
Gavin Martin
When the second half of Pyramids by Frank Ocean fades in
>BIG SUN COMING STRONG THROUGH THE MOTEL BLINDS
Dylan Turner
youtube.com
The whole intro
Aiden Davis
>and emily I saw you last night, by the river
>the strings
cum
Jason Edwards
the strings come Maybach Music III
silky smooth production
Brody Howard
Ian Hernandez
Just listened to that, great stuff
Leo Evans
I usually hate thrash metal but that was easily the best song from one of the best records of last year
James Davis
this
Cameron Jenkins
Epitaph around 7:00
I FEEL, TOMORROW ILL BE CRYING
>*Lead guitar comes in*
CRRRYYYYYYYIING
nut
Jonathan Thompson
Yes!
Jose Diaz
the 2nd chorus in you are invited
Samuel Allen
>when the piano comes in on futile devices
>IT ROOOOTS
>VESUVIUS FIRE OF FIRE FOLLOW ME NOOOOW AS I FAVOR THE GHOST
>IM NOT FUCKING AROUND
>ITS A LONG LIFE
why is this album so good bros
Jason Parker
If i can Dream - Elvis, the moment when he raise his fucking voice
Austin Cook
>make me smile with my heart
Lincoln Russell
This song, an underrated gem from Action Bronson's Rare Chandeliers. The beat starts changing at 1:35
youtu.be
Colton Bell
my brother
Xavier Brown
>IMPALED ON NAILS OF ICE
Ryan James
when the drums come in
Sebastian Stewart
while we're on yob, the beginning of burning the altar up to when the vocals start always gives me that funny feeling
Jonathan Sanchez
>the chord change about a minute into You See the Trouble With Me
>I WALK A LONELY STREET LATE AT NIGHT
Also the key modulation at the end of I don't Know Where Love Has Gone
Gavin Hill
>when the drums come in on World Cell
Thomas Davis
>The last "I could never be as strong as you" in Golden Age
Makes me feel things I didn't know I could feel
Lincoln Anderson
Earthmover
>We wish we were dead
>...........
> DU DU...DU.. BWAAAAAAAAA
Benjamin White
Hell yeah
When the protagonist gets into heaven
>Well aren't you success
>In answer select
>Apologies met
>An effigy blessed
>Slow to bleed fair son
Elijah Garcia
The organs at the end of Chrome Country. Shame he didn't end the album on it
Dominic Russell
The first distorted flat note Kanye sings in Runaway is the best. When everything but the drums and vocal samples drops out at the end of Lost in the World is a close second
Austin Taylor
>THEN YOUR SIX INCH
>HEELS
>CATCH HER
Lincoln Collins
Emperor's "In the Nightside Eclipse"
was the last time I actually got goosebumps from music. Especially everytime the keyboard set in.
Asher Perry
The drop at Devil in a new Dress
Cooper Scott
fuck yes
Camden Cook
In I Don't Love...
>EEE OOOOOOOOOOO OOO OOOOO OO OOOOOO
Ryder Foster
>I
>FEEL
>ALIVE
>WITH YOUUUUUUUUUU
>OH AND, MAYBE YOU FEEL IT TOO
>mmm MMMMMMMMMM
Ryan Cooper
The moment Station to Statio picks up the pace
Landon Miller
>duckskin
Ryan Ramirez
>The voicemail sample in Janine
Benjamin James
>WHY DID YOU TELL ME TO COME IN THE FIRST PLACE
>WHY DID YOU TELL ME TO COME IN THE FIRST PLACE
>WHY DID YOU TELL ME TO COME IN THE FIRST PLACE
>WHY ̷ḐID Y̸OU̧ ̢T͠EL͘L̸ ͢M̷E̕
>W̸͖͉̟̞̮̘̭H̛͉͖͖͘Y̸̥͔̦̻̜͖̹͘͟ͅ ͕̥͚̼̀͞ͅͅD̗̮͚̫̣̭̟́͡ͅÍ̵͇̝̭̥ͅD̪̞̠͉͜͠ͅ ̧̼͚͖̱͙͔̠̮Ỵ͈̝͍͞ͅO̘͉͚̕U̶̟͔̮̱̮̺̮͜ ̻͉̹̣̼͝T̵͓̫̕Ḛ͡͞L̴̻̜L̢̩̠̠̤̫̙̖ ̻̹̗ͅM̛̠̹͕̗͠E̘̰̠͓̯͓
>W̱̹̬̓ͭ̓H̰̹̹̙̳̩ͨ͌ͫͩ̉̋͝Y̪̭ ̠̖̖̦́ͩ̕D̛̼̜͔̘̪̬̔́I͑̿͛Ḋ̨̺̦̽̄͂̚ Y̮͗̌̀̎̚O̩͍̤̫ͦ̉͑́ͣU̧̺̞̬̟̇ ̑ͨ̉͋̆T̖̮̟̪̳̂̇͂̋ͦ͘E̬̩̱͉͎̖̔ͬ̔͂ͤ̎̊L̟͎̥͖̪̤͍̎́̿̓̄Ḷ̮̮̰̮͙̰ͮͧ̾ ̮̮̼͕̮͈̠͛͊͂͆ͧ́M̖̺̾ͨ̆E̢̫͈͔͕ͮͧ̆̄̈
>W̷̶͖̫̝͋̽͌ͧ̏Ḩ̫̟̙̹̠ͬ̆̈́ͅȲ̢̯͙̦̜͙̏̿̑ͯ͛̓͡ ̥̥͓̼̻͗ͦD̷̡͎̝̹̞̓I͖͇̤̙͙̗͚ͧ͋̒ͩ̔̔̾͡Ḑ͎̞̈̈ͭ̿̇͜ ̣̥̯̭̯̎̉ͅY̫͚̻̳̮̰͚͗̇ͫ̉ͅO̩̝̳̘͈͕͌̒ͪ͞U̡̠̟̟͉͆͂ͮ̈̽̄ͫ̈́͠͞ͅͅ ̩͇̝̑ͤ̄̚̕T̻̳͎̼̳͕̮͒̽̎ͮ̽ͬ͜ͅE͕͗͗̾͒̈́͊ͬ̃̕͠ͅḺ̥ͧ͐ͪ̆͌͘ͅĻ̘̜͈̠͚͎̰ͯ͑ ̸̳͖͛͆̓M̪̣͓͚͈ͣͭ̃̈̚͜͞E̘͍̮͉̫͋̽̑̍̾ͧͦ͡
>W̴̵̢̰̪̮̻̾͊̃̿̍̒̓̽H̸͕͔͗͊͆́̋Y̯̙͚̥͕̣̼͙͌̉̋ͮ́ͅ ̙̭ͮͭͦͮ͢W̶͈̭͙ͤ̓̏͗H̡̤̭̠͖͋̐̏̀Y̸̞̳̘͌̍̀͆̽ͭ͟͡ ̵̰̝͉̳͍͙͈̮ͣ͒̒͌͂̄̚̚̕͝D̸̷̨͖̼͓͉̉̒ͮ̌̌͗͒I̸̡͈̖̯͈ͬ̍ͨͪ̑̊̈͟D̴̞̙̠̼̣͙̊͂̊̽ͧ͢͢ͅ ̫̼̬̥̙ͤͦ̍̽͢͢Y̸̷̱̼̣̭͍͚̫͙ͣ̀̑̋ͤ͂͆O͎̠̖ͪ̉̓̏̕͢U͕̬͔̻͕͖̺͆͋̆̀͟ ̬͖̘̈́̉͘̕͡ͅW̴̭̹̰̝̦̘̩̚H̘͉̝̳̙ͨͭ̎Y̵̤̣͓͎͙͕ͯͦ͛̕͜ ͔̜͍̮͖̭̮̃̈̊̿̒͂Ḋ̨̜͙͕̥͖͗̇͂̚̚̕Î͓̫̺͓̎̏ͪ̃̐̂́Ḓ̸̫͓͚̠̟̘̻ͨ̑̔̌ͬ͛͜ ̡̤̭͕̱̘͍͂̀͂̓̕Y̶̩̘͎̠̙̎̒͊Ǒ̰̠͎̦͇ͯ̓̄͆Ŭ̩̤͙̞̘̯̣̿̄̄͘
Wyatt Young
>So I duck out and go down to find the swimming
>POOOOOOOOL
alternatively, when the recorders come in on "Concerning the UFO Sighting Near Highland Illinois"
Owen Thompson
>transitions from I Am A God to New Slaves
I came
Jayden Morgan
>When they start droning on that last chord in Ascension Day and all the other instruments climax around it
Colton Peterson
>15 seconds into Asunder, Sweet
>thu-dun-dun-dun-dn-dn-dn-dn-dn
>thu-dun-dun-dun-dn-dn-dn-dn-dn
Jaxon Thompson
Frankie Teardrop screams
Nolan Sanchez
goats are GOAT
Logan Thompson
underrated album desu
Mason Wood
oh god yes
Liam Perez
john wayne gacy jr, first hook, that build up
>with their cars
>summer jobs
>OH MY GoooOOOooOOOOD