Wait wtf this is actually really good

...

Yeah, no shit, dude.

yeah.
i know he gets shit on here a lot, but patton's pretty consistently good imo.

>patton's pretty consistently good imo.
I don't know about that. I checked out Faith No More after getting into Mr. Bungle, and it just sounded like generic 90s altbutt metal. Not even Patton could save it. At least he went on to do Fantomas and Tomahawk.

The use of musique concrete elements is borderline genius on California.

Overrated. Plebs think they've found jesus when they first listen to it.

Alright, you're going to need to explain what some of these elements are exactly. Someone (maybe you) mentioned this in another Bungle thread but it wasn't made totally clear as to what they are.

i dont understand why you're shilling this

Top fucking kek
what's next, musique concrère in Disturbed albums?

>Musique concrète, (French: “concrete music”), experimental technique of musical composition using recorded sounds as raw material. The technique was developed about 1948 by the French composer Pierre Schaeffer and his associates at the Studio d’Essai (“Experimental Studio”) of the French radio system. The fundamental principle of musique concrète lies in the assemblage of various natural sounds recorded on tape (or, originally, on disks) to produce a montage of sound. During the preparation of such a composition, the sounds selected and recorded may be modified in any way desired—played backward, cut short or extended, subjected to echo-chamber effects, varied in pitch and intensity, and so on. The finished composition thus represents the combination of varied auditory experiences into an artistic unity.