"FUCK WHITE PEOPLE"

Bill did write Blue in Green which is in Kind of Blue and even Miles has said he did, but as to the rest it is sort of in a weird spot where it's unknown who wrote it - or even if both wrote it. Given their experiments and fascination with modality at the time, it's pretty much an unknown.

What is Miles brilliance exactly? Can you show me a crucial Work he devised that's essential to music

In A Silent Way would be my pick.

What kind of jazz is it friend?

>“I don't care who buys the record so long as they get to the Black people so I will be remembered when I die. I'm not playing for any white people, man. I wanna hear a black guy say ‘Yeah, I dig Miles Davis.’” • In an interview with Melody Maker

>Why'd you put that white bitch on there” • To George Avakian after seeing the cover chosen by Columbia for "Miles Ahead"

>If somebody told me I only had an hour to live, I'd spend it choking a white man. I'd do it nice and slow.” • During a interview with Jet magazine

lmao what kind of subhuman trash was he? the 'WE WUZ KANGZ' kind of nigger?

Jazz fusion.

>Miles: “Crow Jim is what they call that. It’s [got] a lot of the Negro musicians mad because most of the best-paying jobs go to the white musicians playing what the Negroes created. But I don’t go for this, because I think prejudice one way is just as bad as the other way.”

Nigga was just crazy. It's well-documented that he had this sort of unpredictable mercurial sort of behavior to him.

Last one is fake.

He was probably annoyed that he and other black musicians were getting gypped out of royalties and they were getting arrested and denied entrance to clubs, restaurants and hotels. Meanwhile his only audience was white nu-males, the beatniks; he wasn't reaching the black collective. He was just bitter.

He was also just mostly drug-addled and inherently insane.