I'll Start:
WHEN
I'll Start:
WHEN
KANYE
BEAT
HIS
WIFE
WIFE
WIFE
WE
AND
WIFE
JOHN
LENNON
IS
A
WUZ
BEATLE
PIECE
MASOCHISTIC
KANGZZZ
FUCK
PROBLEMATIC
PRIVILIGE
I
WATCHED
DA POLICE
WHITE
BEATING
FUCK
THE FACT
STEREOGUM
...
thefactthatsomanybooksstillnamethebeatlesasthegreatestormostsignificantormostinfluentialrockbandeveronlytellsyouhowfarrockmusicstillisfrombecomingaseriousartjazzcriticshavelongrecognizedthatthegreatestjazzmusiciansofalltimesaredukeellingtonandjohncoltranewhowerenotthemostfamousorrichestorbestsellersoftheirtimesletaloneofalltimesclassicalcriticsrankthehighlycontroversialbeethovenoverclassicalmusicianswhowerehighlypopularincourtsaroundeuroperockcriticsarestillblindedbycommercialsuccessthebeatlessoldmorethananyoneelsenottruebythewaythereforetheymusthavebeenthegreatestjazzcriticsgrowuplisteningtoalotofjazzmusicofthepastclassicalcriticsgrowuplisteningtoalotofclassicalmusicofthepastrockcriticsareoftentotallyignorantoftherockmusicofthepasttheybarelyknowthebestsellersnowondertheywillthinkthatthebeatlesdidanythingworthyofbeingsavedinasensethebeatlesareemblematicofthestatusofrockcriticismasawholetoomuchattentionpaidtocommercialphenomenabeitgrungeoru2andtoolittletothemeritsofrealmusiciansifsomebodycomposesthemostdivinemusicbutnomajorlabelpickshimupandsellshimaroundtheworldalotofrockcriticswillignorehimifamajorlabelpicksupamusicianwhoisasstereotypedascanbebutlaunchesherorhimworldwideyouraveragecriticwillwasteriversofinkonherorhimthisisthesadstatusofrockcriticismrockcriticsarebasicallypublicistsworkingformajorlabelsdistributorsandrecordstorestheysimplyhighlightwhatproductthemusicbusinesswantstomakemoneyfromhopefullyonenottoodistantdaytherewillbeacleardemarcationbetweenagreatmusicianliketimbuckleywhoneversoldmuchandcommercialproductslikethebeatlesatsuchatimerockcriticswillstudytheirrockhistoryandunderstandwhichartistsaccomplishedwhichmusicalfeatandwhichsimplyexploiteditcommercially
MONOGUM
OPPRESSION
this thread is terrible, 3/10
SO PERHAPS MR. WEST DIDN'T EXPECT TAYLOR SWIFT TO DROP THIS SURPRISE MASTERPIECE AFTER ALL THEIR CONFRONTATION SINCE 2009.
THE SHARP CLAUTROPHOBIC LYRICS MEMERIZE THE LISTENER WHILE UNCUT DRAKE SONGWRITTING APPEARS SUDDENTLY ACCOMPANEID BY OVO TRENDMARK DARK R&B PRODUTION ON HANDS OF 40 NOAH SHEBID AND BOI1-DA.
THIS TURN 360 OF A CAREER, IS COMPARABLE TO BEYONCE LATE SASHA FIERCE NOW DOING COUNTRY ON HER LEMONADE.
SEEMS LIKE TAYLOR SWIFT JUST WANTED TO REMARK THAT SHES NOT REALLY JUST A GIRL WHO GOT APPRARENTLY FAMOUS BECAUSA A MTV VMA MESS. SHES THE LAST REAL DEAL OF THE 2010's.
PRIVILEGE
HITLER