Why do we call hip hop a black genre?

What makes a genre specific to one race? There are white rappers after all. Besides, shouldn't we more properly call it a Jewish genre, as it was created to subvert the black man and his race by promoting anti social behaviors as intrinsic and proud features? The black man had previously worn suits, sung Motown, and avoided hard drugs before hip hop and crack cocaine were simultaneously introduced to ghettos.

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because people need something to identify with. anyone can make music any type of music. dont worry about who claims to own what

Predominately black genre that came from existing predominately black genres and started in black communities.

yep

>Goyims are now trying to claim rap as their own

lawdy

Almost every hip hop album had a Jewish man involved in its production. Are you going to deny that Jews featured prominently in hip hop's legacy? They are as intrinsic and as important as black women and men.

It's part of the effort to divide races by artificially creating """cultures""" of white vs black vs latino vs Asian
Each of these are dozens of different groups with completely distinct cultures but it's easier to lump them into one retarded approximation to further an easy "us vs them" worldview. Ask someone what "black culture" is and they'll just give you a vague mishmash of African shit with trap music and twerking; ask what "white culture" is and people will rattle off a list of monuments from all across Europe and the US

finalcall.com/artman/publish/Entertainment_News_5/article_8500.shtml

Heller was a veteran music executive who once represented artists like Marvin Gaye. The group's most creative geniuses, Ice Cube and Dr. Dre, eventually left the group citing unfair compensation. Accusations flew that Eazy conspired with Heller to rob the other members of royalties that were rightfully theirs. Heller happens to be Jewish.

It should be noted that Ice Cube later made a song threatening Heller. The ADL (Jewish Anti-Defamation League) labeled it anti-Semitic.

Holy shit I had no idea that DJ Kool Herc was Jewish!

Dr. Dre left Ruthless Records and went to Death Row Records, a boutique subsidiary of Interscope Records. Death Row, which was owned by a Black man by the name of Suge Knight, built an impressive roster of talented artists and dominated the charts selling millions of records generating hundreds of millions in revenue. Again, disagreements between the two brothers ended in a parting of ways. Dr. Dre walked away from Death Row Records, who at that time had acquired the legendary Tupac Shakur. After selling millions on Death Row/Interscope Tupac was murdered. A series of personal and professional misfortunes landed Knight in prison and the house that he and Dre built ended up in the hands (Interscope). Interscope is owned by a man by the name of Jimmy Iovine. Mr. Iovine happens to be Jewish.

Over the years I've had many personal acquaintances who were in the hip-hop music industry with hit records, global popularity and a healthy fan base. It always puzzled me the way they struggled financially; worse than some school teachers or sanitation workers. I watched many of them try and maintain the image of the rich and powerful, yet couldn't pay their taxes, child support and in some cases their rent. Popular hip-hop magazine, XXL, recently published an article titled “Hard Times” about fiscal problems rappers face that the hip-hop community doesn't like to talk about. Truth is, most rappers are broke; owing more money to their record labels than they have in their bank accounts. As a matter of fact, most contracts for rappers are just as horrible as those for entertainers in other genres where artists sell millions and receive pennies while the record companies make out like fat rats. Who are the owners of these major record companies? Forgive me if I sound monotonous, but they just happen to be Jewish.

There have been many examples of independent success in hip-hop's music industry such as Master P (No Limit Records), James Prince (Rap-a-Lot Records), Luther Campbell (2 Live Records) and others. However, because none of these outfits had the power to control their own distribution they were eventually left at the mercy of those who did. Who are the owners and controllers of the distribution channels that deliver rap music to the world? You guessed it. They just happen to be Jewish. Cash Money/Young Money Records, a popular imprint from New Orleans who houses artists Lil' Wayne, Drake, Nicki Minaj and others reportedly has one of the last lucrative independent deals in existence, but still do not control their own distribution. So even those Black-owned rap labels who appear to be the front-runners are in a dangerous position.

As Rap and Hip-Hop has fallen into the hand of individuals outside of the community, certain negative aspects of the music have been elevated to become synonymous with Black culture. Rap and Hip-Hop moved from being forms of real self-empowerment and healthy forms of expression to a culture of materialism, misogyny, false images of masculinity, promiscuity, and self destructive behavior. Instead of “Fight the Power” we hear “Fuck that nigga.”

A look at history tells us that this fear is rational and the danger is real; artists are unique, but to find one who isn’t reinforcing negative racial or socioeconomic stereotypes in order to fit the current template of how a rapper should act is harder than it should be.

The danger is that the white Jewish men who control hip hop are not interested in our music as a form of cultural evolution. These individuals have one focus: gaining and maintaining control.

There are three music companies that control more than 75 percent of the industry. These “Big Three” are:

Sony BMG
Universal Music Group
Warner Music Group
Artists who are signed to a Big Three record label are either signed to the central label or signed to a subsidiary of the label. For instance, Nikki Minaj has had agreements with Cash Money, Young Money, and Capital Records. All three of these companies are owned by the Universal Media Group central label.

Most of the music that we consume is backed by three white Jewish men. These are the invisible hands that control hip hop, rap, and have a disproportionate influence over Black culture.

kill yourselves

How do you honestly respond to the evidence in this thread, amassed solely from Black sources of news and opinion? Don't answer if you're some white wannabe desperate for approval from the Black man. But if you're in fact Black, how can you look away from Jewish control with a fucking smirk?

>muh respectability politics

Sup Forums fuck off pls

autism

Who are you quoting? You realize greentext is a feature built in to be utilized in a certain way, right? Not to just abuse however you see fit... right?

That's a nice deflection to help push the cognitive dissonance to the back of your mind.

This but unironically

Because blacks need something to call their own. Whites have taken everything else from them, let them at least have their hood poems.

Many of the best jazz artists were getting high as fuck

>and avoided hard drugs
what is jazz user

Are you suggesting people like Coltrane were not creative outside of drug use? Or simply that the existence of jazz justifies Jews flooding black neighborhoods with crack?

Just curious...

Jews control the Black man by deflecting blame onto Whites.

>Are you suggesting people like Coltrane were not creative outside of drug use?
of course not. Coltrane was a genius.
>Or simply that the existence of jazz justifies Jews flooding black neighborhoods with crack?
i'm not saying this either. idek what that's supposed to mean

i'm just saying black communities were doing drugs way before hip hop was a thing.

Not in a way that was actively destroying the fabric of their entire society.

>he doesn't understand linguistic morphology
When you wrote this, did you think "utilized" was pronounced "you-til-eye-zed"?

Who are you quoting?

You know, repeating what you already said is no way to win an argument. You must be 18+ to use this board

Ah with this post it appears you've learned that it's not always "funny" or "good" to misuse a site feature just because others do the same. I sincerely applaud the maturity this must have taken.

hip-hop before it was recorded/released to the public was an underground club thing in predominantly black hoods

And there it would have stayed were it not for Jews.

One day Sup Forums ""redpills"" and racebaits will be banned and the board will be free of one of the 10-20 different cancers plaguing it. One day

Fuck off retard. Literally the only people who deny Jewish influence on rap are white fags like yourself. Black magazines discuss it openly and vibrantly. It's only pearclutchers like you who worry that such facts could pull the wool from the eyes of those around you.

Kys.

who gives a fuck honestly
jews exist, get over it