I'm sure Bach would be proud but Gould's playing almost never hits the ear right.
Nathaniel Gray
So I came across an orchestral cover of an MBV song and one comment said >Fine - but needs the feedback from the record (which can be kinda created in classical music (stravinsky)) - this version only contains the melody My question is, which Stravinsky piece is he talking about?
concerto for four guitar amplifiers + pedal feedback
Justin Carter
"The right measure will be attained if students of music stop short of the arts which are practiced in professional contests, and do not seek to acquire those fantastic marvels of execution which are now the fashion in such contests, and from these have passed into education. Let the young practice even such music as we have prescribed, only until they are able to feel delight in noble melodies and rhythms, and not merely in that common part of music in which every slave or child and even some animals find pleasure." Aristotle, On Politics
Not bad, I prefer the sustain of the piano for this piece though. The guitar does make some of the melodies pop a little more than the piano does though
Nicholas Butler
Rick Beato seems to suggest here the Locrian mode is in fact "major". Is he right? I can think of several reasons why its a minor mode due to its lack of any stability and being the inversion of Lydian. The piece he made at the end definitely sounds majorish though I can't vouch for its adherence to Locrianisms.
>listening to more than one piece from WTC or AotF in a row shiggy
Justin Turner
Also would it be an appropriate Locrian cadence to use a dim add 6? I am trying to write something in Locrian as a challenge.
Jonathan Wright
Schubert songs are the perfect thing to interleave between WTC preludes and fugues. Paganini caprices also work well. Allows some interesting contrasts.
looking at triads on steps of each mode I ii iii IV V vi (vii) : major i (ii) III iv v VI VII : minor (i) II iii iv V VI vii : locrian
thus locrian shares iii V with major and iv and VI with minor, if one additionally compares tonics then locrian resembles more a minor mode. his track doesnt sound major to me either.
I dunno. It sounds a bit cheesy but it includes the 1st 3rd and 5th, so that's something I guess. I don't think you'll get like a true plagal cadence out of Locrian.
Asher Rogers
Who produced the best pressings of classical music?
Jacob Jackson
sorry for the obviously unaccomplished classical connoisseur post, but can anyone tell a pleb which piece this music was inspired from? It starts at about 4:15 and I could swear it's by Brahms
He's probably one of those morons who hears Le Sacre and thinks ZOMG HEAVY METAL XD and appends rock concepts to classical music because he's a stupid dummy.
Having said that, I wouldn't be surprised if composers post '60s have used feedback, particularly New Yorkers.
I don't get how people unironically like to listen to these prehistoric recordings, any merit these performances may have had is lost due to the horrible quality of the recording
Bentley Morris
>any merit these performances may have had is lost due to the horrible quality of the recording people obviously disagree
Am I supposed to be listening to these fucking 70 year old recordings from these mega links? Are these just the ones you happened to have and upload, or are they actually considered classics? How important are the actual players, anyway? I'm only now getting into classical.
Joshua Harris
nice rec, user
Liam Turner
Does someone have a link for a download for Reinhold Gliere Symphony no.3 in b minor op.42 "Ilya Muromets" (1911) ??? please help.
Lincoln Smith
Can you guys recommend some YouTube classical channels with good sound? I've only got this one: >VinylRecordSound
Easton Gonzalez
Players probably not that important if you're new. Differences between interpretations are things you learn to spot as you become more familiar with the music.
As for these folders, #7 is pretty much all high quality stereo from the 1960s onwards (prior to 1958 most orchestral recordings start to sound like shit, but other ensembles or solo instruments can sound terrible as recently as the '80s). Only the Beethoven violin sonatas and the Mahler 3rd conducted by Adler are slightly older.
Xavier Gray
Add.: And yes, different interpretations become very important once you gain that familiarity, and begin forming your idea of what the music is "about" and how it should be played.
Andrew Perez
>dream of having ideas and writing them down >forget everything after waking up
Adrian Parker
It's hard to say and i get where this user is coming from. But, i'd say interpretations can make or break a work. If you are unlucky it may seem super boring. The same piece from another performer can become fascinating and full of life
Juan Anderson
>trying to learn how to make moosics at 25
Just END ME
Jaxson Jackson
Yeah, there is always that risk. But there's no harm in trying something, not liking it, moving on, and coming back later. The only question is does the listener have patience? Coming from pop music it can be very difficult, given that you'll be used to instant gratification.
Carter Gonzalez
It's in Youtube you dickhead
Ethan Jones
Why is a Jazz artist the OP for /classical/ general?
Tyler Jones
agreed.
live > recordings good recordings > bad recordings good recordings with decent performances > bad recordings with better performances
bad recordings are only better than good recordings when the bad recording has an excellent performance and the good recording has an with awful performance.
>Am I supposed to be listening to these fucking 70 year old recordings from these mega links I wouldn't, no.
Jayden Robinson
He represents a crossover of the two styles and he Is more a classical composer that used jazzy elements than the other way around. I don't know any other jazz musicians that wrote cello concertos.
top tier music still sounds good and may even reveal additional properties when played in nature, during a hike. anything with jazz elements sounds wrong in this context, it cannot exist outside buildings and cities.
garbage >le quiet moment disturbed by loud noise trope
beethoven could create conflicts between two incompatible motifs and his music would still recover like a RAND roboter that was kicked off balance, or like a beast that regrows a limb. the incompatible parts could mutually shock each other in a display of creative destruction.
but when these faggots compose a conflict or disturbance, it resembles a sadist poking a cadaver, angry impotence.
