ITT: we support, follow, share, and give constructive criticism to eachother on various websites for music sharing such as Bandcamp, Soundcloud, Youtube, and more.
Post a link to your site(s) and other anons follow/share/give feedback.
People who post links and shill themselves after 5-10 posts without participating in any feedback/discussion are unwelcome and should be ignored.
>shoegaze >noise pop >uptempo-gaze >played every instrument
Anthony Moore
OMG THE ACCORDION! This is a nice mix of instruments. Mabye a little more work into the mixing would do just fine!
Elijah Sanchez
its really sad that I saved most of it (bad mixed) in .wavs a month ago. yesterday I tried my best to overcompensate, so at least is listenable. glad you liked the accordion pad I've done, took me years to get it "right"
>lit emo boy lo fi trap with guitar solos >self produced no sampling >well structured song >flow go dum >alt rock
you might like it
Austin Wilson
soundcloud.com/declankirkmusic
>sad lo fi bedroom folk >vocals >lotta instruments >shoegazey guitar noise stuff >drum machines
hmu we can be friends
reccy
my guy right here loving these atmospheres, real nice warm mix of folky instruments and textures and the glitchy electronic ambient stuff you've done is really good too, getting some strong Chrono Trigger vibes for some reason
this is dope, youve mixed the vocals really well quite simple but relaxing set 10 goes in hard i like you voice dude hmu on sc if you wanna colab, my stuff is quite varied chill af
>drums start dubstep but are lofi >there's donkey kong esque synth plus harmonic Rhodes >nothing else yet >oh wait there's a subtle ambient in the background >this is a genre of the past >like if... oh wait it's over. >playing again... Processing... YOU HAVE MADE: ANIME BGM! CONGRATULATIONS! 8/10
James Green
>>comfy speech samples come in such random times that the piece gets annoying. just when you are getting into the >banjolele >harmonica there comes a >science fiction samples and the feeling is disrupted.
Jordan Nelson
wtf lads this is the 3rd of these in the catalog come the FUCK on
Christopher Harris
I like the vibrato thingy there. next Rhodes blends in very nicely oh here comes the next synth not full saw but not full sine the white noise helps is there three at this point? I can't tell now there's just two oh now there's three that saw one really you can differentiate which is important needs longer! slap a trap beat over that and make it longer and you be golden boy 7/10
Blake Rogers
Last Stand sounded good.
Seen you here before but the first word on your soundcloud is binary and that triggered me with your voice and i thought you are some gay/trans activist and left without listenening.
>could someone tell me what genre ive made please It sounds like Flim by Aphex Twin, but way more downtempo. It's in a similar lane as that lofi hip hop thing it seems, from what I can tell. Definitely check these two out.
Elijah Miller
followers Your beats weren't that good. They were good for 46 followers.
Jason Davis
>460 followers who the hell cares?
Asher White
>idm Little cheap sounding. More time on detail and you could get there.
Jonathan Lopez
Love this, doesn't really need vocals if you'd ask me. Depends on the kind of vocals, I guess. Of course I know you from the split you did with Jakub/Epiglottis so it's an easy rec. This was unexpected. I was going to say something about the drums but the further I get in the more they work. This is definitely some melodies from mars-esque triphop. Love it.
a rising tide >good combo there >hh is kicking in >excited for something... >reverb kicking in >water sounds >no it's distorted bitcrushed something >oh it's drums >building up... >oh I like that >that epiano thing more plz >bass is to subtle >or maybe I'm just impatient >drums added that clapper one noise >oh now it's guitar >o.k. the bitcrush modulation effect makes it >now with the echo and the octave >bass is gone though I iz sad >oh no it's back you just transferred it >sub kick >it does sound progressive so rising tide is a good name for it. >I'm listening at low volume so the hard clip effect sort of sound weird... >or is that a lofi effect? >maybe compression... >it sounds better at high volume. and, 7.5/10, prtty good/
>acid house >trippy beats >minimal and analog stuff
Jackson Watson
I perfectly know, thanks you for the input
I realize "idm" is a pretty vast genre nowadays, it's just that I barely got started making music so I don't really know under which umbrella I should stay went to a Max Cooper gig last week, man that shit was tight af
and yes, I still have a more minimal approach (which most of the time is the poor musician's excuse)
thank you
thanks!
Hudson Jones
>good lofi sound >I was hyped when I saw the ds but I'm listening without the vid for now >oh now it's lofi trap >those vidya sounds... >sounds like boss fight in something >no legit >oo like the delay on the bass there >now it's dnb >dual bass yes >stereoness >you managed to do 5 layers properly with that thing 9/10
Jonathan Rogers
>starts right up >it's dinner time >srry nah the triangle is good >ambient synth works for this >beatsbeatsbeatsbeats >good bass >and that one pop sound from da 90s >now there's a voice >oh that arpegiated one really added to it >303 comes in >I feel like I'm in the modern country side... >oh the name is plateau how fitting >just a continuance but you took something out >back to start >there;s that voice again >bongos good add >tsktsktsktssktss >and fade 8/10
inspired by events in syria and enjoying Muslimgauze music I'm experimenting with this style. I'm not good at producing, I don't have time to get into it
Christian Adams
Curious as to why someone would put their music on soundcloud. What's the point, do you not care about it or yourself?
Chase Martin
>What's the point it's a fucking social media site dude... It has the exact same design and functionality as twitter: reposts, likes, comments. We're building a community, and all are welcome. >do you not care about it Assuming 'it' means my music? If so, yes, I do. It took several friends begging me to have my music available online to finally pull the trigger and make a page. What are you implying?
I'd bet money that faggots like yourself I see posting in here share a certain disillusionment. Soundcloud is not your get-famous-quick scheme bucko. It is a cesspool of shit just like all social media. It just takes a couple of heads like us anons here to make something out of it.
I don't post on soundcloud 'cause I spend ages on my music and don't want to devalue it by giving advertising to soundcloud.
If you have a soundcloud account it automatically telegraphs: I don't care about my music, I whipped these tracks up knowing nothing about mixing or caring about production values, for likes and to be a poser.
Joseph Reyes
>If you have a soundcloud account it automatically telegraphs: I don't care about my music, I whipped these tracks up knowing nothing about mixing or caring about production values, for likes and to be a poser.
Yes, for you it does. Everyone's experience and ideas about a site are different though, so only for you and a very small minority this is the case. Now go take your autistic whining someplace else.
>noob >rap beat please tell me what you think, I think its not too bad
Leo Gutierrez
>devalue it by giving advertising to soundcloud w-wha- are you fucking serious? That's the lamest most half-assed excuse I've ever heard. Who but yourself has ever told you that your music has any value whatsoever? Furthermore, if a couple ads are going to so tarnish your precious masterpieces, where the fuck do you plan on making money? Your logic closes the door to basically every streaming service that exists. The money is on the fucking internet dude get your head out of your ass. God I wanna meet your high school bully and shake his hand.
Nathaniel Torres
>hiphop beats >a whole lotta samples
if you like this i got like 15 other tapes that are all pretty long will check out this thread on soundcloud in 15
I enjoyed Geneva, very slow grandiose theme. Monaco is very hip. Almost sounds like a hip hop version of what Wire would be.
I like the songs, and the recording. I think that your singing sounds a little unsupported and that if you adjusted it you would have a better vocal take.
I have been following you for a couple years, and you helped me mix one of my songs back in 2015 for Unholy UFO, so shoutout to you! This beat is good, flow is very confident. All the syncopations in the rhythm of the beat and the constant flow is a good combo.
Experimental, live playing, strange. Did not just shit this out, carefully composed using live recordings of analog synths, sampling done with a tape recorder. First ever complete project so sincere in depth critiques are valuable.
Liam Lopez
>fort-ord.bandcamp.com/releases These synths are pretty damn good man, I honestly couldn't tell this was on tape, but I also have been more of an advocate on the lofi end of tape recording and your songs sound more hifi haha. I can kind of here the nice bass compression that tape does and the distortion. I'm still going through them and they sound tight. What kind of synths did you use? Was this all recorded live?
I can't really find anything to criticize to be honest man.
Reccs: pro production high quality variety comfy chill highly listenable metal only checked out thie one track but its a sweet singer-songwriter rock number reminds me of BoC, i hope you don't skin me for that...
I mashed a black metal bridge into a dirty punk song and ended it with a cheesy Propagandhi-esque solo. All over some pre-recorded drum samples. I don't know, it was fun to record.
Always impressed by everyone's stuff...I'll get specific in further comments. Thanks again!
Ethan Murphy
QQ here.
This is pretty cool! In terms of criticism...I think your kicks could be a smidge louder in the mix and the snares a smidge quieter...typically if i'm doing anything in the hip-hop realm, i try to make the kick the loudest thing in the mix. Hope this helps! keep on keepin on.
Brandon Morales
QQ
wait, this is samples? fooled me! this is dope dude. Crossover metal/punk if you were to invite a vocalist...what type of voice would you go for??
More of a rasp yeller. Think Kid Dynamite, Planes Mistaken for Stars or Unfun. I can do it myself, but I'm tired of being a vocalist. Regardless, I'd definitely have the vocals lo-fi ish, blown-out and over saturated as fuck. Run through a garbage disposal, if you will.
Probably find a guest vocalist to do some black metal screeching.
hey yall im psyched to finally start releasing this Fifty Six LP since i know that my music has come a LONG way since my first two tapes and am grateful to have worked with a lot of wonderful artists for this project : )
alternative rap, flows... this is the 4th track of 9, im releasing three each weekend (starting last weekend)
soundcloud.com/dvdg994 leave me something an il seend you a bitcoin or comment back promise leave it on my profile though
Xavier Stewart
Hell yeah man, I used a Korg monotribe, Make Noise 0coast and a few other strange analog synths. And I originally recorded the raw jam sesh (about 2 hours) onto tape and then transferred it to ableton to cut things up into separate ideas and compose the parts! But I was using high fi type 2 cassettes so the sound was nice. I'm making physical copies on tape right now, that'll probably bring back that warmness!
kimphilby.bandcamp.com/ Hip-hop in the boom-bap style. Thank you so much for listening, if you choose to! Any critique is welcome.
This takes the oddball sample aesthetic of early vaporwave (I'm thinking of that Speed Racer album in parcitular) to a more polished level; that said, I think you could do more with it - right now it seems more of a combination of a sample and drumbeat, rather than a melding of them. My fav track was definitely C_R.
I like the production on L O S T ... - it's original, eschewing rhythm and focusing on individual tones. It was really nice! The digital touches tucked in nicely to that compositional focus. That said, frankly, the lyrics are lame. They seem overly conversational, so focused on saying something that they lack any poetic color or breath. It's like a dissection, and a fairly boring one at that. I don't intend to be mean, it's just that I think you can say a lot more by leaving some things unsaid. You don't have to sing / speak in meter, necessarily, just don't be so explicit and longwinded. "Goodbye" was a good go at that, in my opinion, but that was also because much of the vocal was buried.