>fmaj7
Fmaj7
Hunter Baker
Wyatt Foster
Ebm7
Angel Gomez
shit taste
Mason Bell
>doesn't post a chord though
Austin Ramirez
>Em7/9
Joshua Brooks
>Em6
Jacob Harris
>E/A(sus2)7
Cooper Watson
haha nice thread op
Adam Cook
dmin9
Nolan Taylor
>you: Fmaj7
>me, an intellectual: Fmaj7(#11)
Luis Gomez
>Gadd9
Juan Roberts
>Zmaj3
Jayden Clark
This motherfucking beauty of a chord right here.
Kevin Foster
For me, it's Cadd9
Jordan Flores
My nig, 5 chords are wicked underrated
Julian Nguyen
>Abdim7
Parker Fisher
>the chords literally every rock band uses majority of the time are underrated
hmm...
Jonathan Murphy
Csus2
Jackson Jenkins
>improves your song
Nathan Morris
>G6/B
Kayden Robinson
By theorists, generally they are. Not underused, but underrated in their effectiveness.
In choral and jazz music, if you're going to leave a chord incomplete, 99% of the time its the fifth you drop, and I've heard theory professors flat out say that fifths are unimportant and emotionally empty. which I don't agree with at all.
Josiah White
For me, It's Gmaj7
Leo Harris
I generally dislike power chords, but that particular G5 sounds superb. You'll know it from The Times They Are A Changin'.
Eli Morales
Cmaj
Justin Jones
>chart plebs
Chase Young
fuck you that's a great chord. pic related is best voicing
Xavier Perry
>pretending that you can hear the difference between a Fmaj7 and a Cmaj7
Amateurs are always hilarious
Brody Cruz
You're tone deaf pal.