>chorus is repeated, but one pitch higher
Music clichés you hate
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>The vocal is drenched in reverb
>song just fades out
>melody stops
>just bass drum on the first beat and vocals come
>rest of instruments come back in for 'wow so epic emotional end to song'
>last song of the album is the same as a first, except it's more quite.
I actually like this
what albums do this except Scary Monsters
The Suburbs
Hospice and Suburbs from the top of my head.
Nothing wrong with a solid Truck Driver's Key Change.
>tutututututututuut..........drop
>chorus is repeated once backed only handclaps
>verse
>prechorus
>chorus
>quiet one or two bar break
>verse
>prechorus, double tracked vocals
>chorus, double tracked vocals
>quiet bridge
>loud vocal crescendo at the end of the bridge leading into the chorus
>chorus has many vocal tracks, doing various vocal trills, and the main melody is double tracked
>end song
So many of Taylor Swift's songs follow this EXACT formula. Very boring. Many other popular pop songs follow this formula too. Roar by Katy Perry is one that immediately comes to mind.
Come to think of it, this exact song structure and composition, along with lots of repetition in the chorus, and a one-note/monotone verse melody are supreme calling cards that the song was written by Max Martin. I can't think of one major pop hit song written by Martin that doesn't follow this EXACT formula.
Mrowisko
there's a lot of built to spill songs that do this and i think it works
upbeat whistling
downbeat is fine, but cheery, breezy whistling is horrible
>b-but my musical theory
mneys mneys quite quite
>someone or vocalist says stop
>music stops
I GOT AN AWESOME SOUUUUUND
Anything american "EDM" does, every. single. thing.
Also Djents.
>MLG Air Horn sound effect
In the attic of the universe does this and it's awesome
>The pop artist wants to be taken seriously so they make "dark edgy industrial" music, when really they could have just made good pop music to begin with.
fade-ins>>>>>>>>>>>>>>fade-outs
hammer time
>vocalist: bass...
>*bass starts playing*
STOP
also counting
le one two three four
fucking stop
it can be pretty funny t b h
>entire song is just one massive piss take on somebody else and not actually enjoyable at all for anything other than an insult
But White Lines is great.
>song has three key changes
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Dadadadadadadadadada (damn)
Nananananananananana (skrrt)
>Artist/band follows a trend instead of focusing on their music
yugjhhjgg
>riff is repeated, but slower
>song originally recorded in mono is remastered in stereo
>the song is channeled into each while fading in and out of one at a time
i like 666 kill chop deluxe
i don't even like lisa