The Man Who Sold the World

>The Man Who Sold the World
>Hunky Dory
>Ziggy Stardust
>Aladdin Sane
>Diamond Dogs
>Young Americans
>Station to Station
>Low
>Heroes
>Lodger
>Scary Monsters
>Let's Dance
>1. Outside
>Earthling
>The Next Day
>Blackstar
Can any other artist compete with this?

You forgot Heathen

and Reality desu

you forgot Tonight and Never Let Me Down
>inb4 'b-b-but those are supposed to be bad dude didn't you read the pitchfork article?'

You're right they're both terrible, along with Let's Dance, Earthling, and Outside.

>>Let's Dance

Seriously, it's fucking shit. It's the album that permanently ruined Bowie's integrity that wouldn't be picked up for another 20+ years

no. It opens with three great tracks and Cat People is great too

One great track, and that's stretching it. Modern Love is good, but Let's Dance and China Girl aren't. It really feels like an album for the singles and nothing else to offer

The Beatles

This desu.

Bowie should've made it like another Lodger.

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>The Man Who Sold the World
is easily the worst song on there, though.
Album is very enjoyable in general.

Like I'm glad he made money. He deserved it after mediocre commercial success after making five genius albums in a row.

>If I point out I'm being contrarian that makes my choices less bad! People ONLY dislike those albums because of Pitchfork. I'M the smart one.

Zappa, Miles Davis, Tom Waits, Dylan, to name a few.

Bowie only had 1 decent album

...

>Modern Love
>China Girl
>Cat People
>Ricochet
>Criminal World
>rest of the songs are good too
Let's Dance is a great album faggot

>'how can my taste be bad? I have the popular opinion!'

>the man who sold the world, 5/10
>diamond dogs, 4/10
>station to station, 6/10
>low, 7/10
>lodger, 5.5/10
>scary monsters, 5/10
>blackstar 4/10

To him Blackstar is about as good as tonight and never let me down

Thrown in the trash

No they aint, he sold out and the album is shit

>*signs to major record label*
>*releases chart-topping hits*
>*years later comes out with Let's Dance*
>"man, what a sellout! can you believe he was in that Pepsi commercial!?!?"
wew lad

I mean, as long as you don't go before the 1960s you're good

But Bowie reached to a new level of pandering and trying to appeal with the masses with the Let's Dance hits. That was specifically what Let's Dance was designed to do, it was an artistic turn out to make commercial music. At least he was making creative and interesting music in the Ziggy era because that was associated with what the world hadn't seen before to that extent. It was something fantastic out of pre-existing musical ideas. But it turned sour the second major time around when it became too obvious

Fuck Scruffy