What are some kino anime movies?
What are some kino anime movies?
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Hijacking this thread before it's overrun by plebs and the Sup Forumseddit witchhunter general.
Royal Space Force
Belladonna of Sadness
Memories
One Thousand and One Nights
Flee quickly, they're on their way!
Anime can never be kino, child of /r/anime. Even the so-called "great" ones do not so much as graze the aesthetic and philosophical heights of cinema and literature. It's a trash genre made for East Asian teenagers and white manchildren with short attention spans.
Jin Roh: The Wolf Brigade
Millennium Actress
akira is best
You might have dropped your catchphrase but I still see through the ruse, cunning man I am. Nice trips.
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I know this post is bait, but the last anime picture is Kyoukai no Kanata and shows like that are basically what Japan has in place of capeshit.
Sup Forums doesn't into kino though
>akira is best
When will this meme die?
>KnK
Only Two Good Characters: The Show
please explain whats wrong with it
It's vastly inferior to the source material, it's all style over substance in the framework of the film's story.
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Sick triple 7s brah but this is pasta.
More disappointing than the brain dead parrots you posted this for.
I always find it hilarious when Sup Forums shows up here. They can't talk about one single fucking television show or film because they literally don't know any.
I don't think it's "style over substance" I got a lot out of it. Also I don't even read real books nigga I definitely don't care if this movie isn't accurate to a nip funnybook.
>It's vastly inferior to the source material
still a sick ass movie though
>Also I don't even read real books nigga
That's obvious.
>It's vastly inferior to the source material, it's all style over substance in the framework of the film's story.
youtube.com
Films are a more interesting artistic medium to me in every way, I feel that much more can be said with them than with literature
Books are literally just words dude
If I wanted words and nothing else I'd fucking talk to someone
>I feel that much more can be said with films than with literature
You only have to compare any film adaptation of a book to it's source literature to see the flaw in that viewpoint. Films are cut for runtime. A good story told through a book can last as long as it needs to.
Yeah but the film can tell the complete story in a shorter time span. books are full of fluff, much like anime. who cares? too much detail is a bad thing. a film doesn't necessarily even have to be cut for time, but is simply shorter because it explains things visually instead of using countless words to describe a shrub. also any real filmmaker will use an adaptation to create his own vision and art out of a previous piece of media instead of simply trying to put the book onscreen accurately
The Disappearance of Pic Related
is that harhu subaru
>shit talking 12 angry men
ghost in the shell
perfect blue
grave of the fireflies
the magnetic rose vignette of memories
royal space force
and you're done.
>wank
>decent
>reddit
>kino
>weebshit
2/5, a passing grade in canada
Cut anything in The Miserables and the story is hurt.
The forced brevity of movies is a limitation, not all kinds of story will work in a movie. Movies are a fantastic medium, and the audiovisual aspect gives them possibilities beyond that of books. However, each medium has to play to its strengths, and some stories will suffer if they are adapted to film.
Not being one of those /lit/ retards and saying literature is superior, but different genres bring different things to the table. Even theater has its own stuff to offer, even though I fucking hate theater and it bores me senseless.
My point was that the film adaptation does not tell the complete story. Can you name a film based on literature that doesn't lose story elements due to the change in medium?
>too much detail is a bad thing.
What? Please elaborate.
There's literally nothing bad you can say about grave of the fireflies except that it's popular.
lmao anime is kaka kek
missing millennium actress and tokyo godfathers tbqh
This is such a meme opinion. The manga is carried by Otomo's amazing drawings but the actual story works better in the movie. Having to compress everything into two hours worked to force him into telling a more thematically coherent and grounded story. In the movie we see Tetsuo's pubescent angst and resentment of Kaneda boil over into a huge destructive rampage which is all a metaphor for how fucked up rapid globalization and all the rest are putting more pressure on humanity than we can collectively deal with. On top of this it looks and sounds incredible,
What does the manga have? The manga has Otomo fumbling around with sub-plots and factions and side-characters who feel inconsequential in the greater scheme of things and in my opinion the worst thing is that the relationship between Kaneda and Tetsuo, just about the movie's strongest point, is shoved to the side in favour of a bunch of Japan-centric 'GRORIOUS NIPPON ENDURES SHINTOISM IS THE BEST THING EVER FUCK OFF GAIJINS BONZAIII!'
The Clown war, the psychic lady's followers, Tetsuo's meme empire and the JSDF special forces and a dozen other things all felt like just more stuff rather than contributing towards making Akira a better story. It's not substance, it's stuffing. On the other hand everything in the movie works.
im half convinced its just contrarianism, the manga is a bloated mess by comparison
>we see Tetsuo's pubescent angst and resentment of Kaneda boil over into a huge destructive rampage which is all a metaphor for how fucked up rapid globalization and all the rest are putting more pressure on humanity than we can collectively deal with
Jesus I haven't seen that shit of interpretation in a long time, get off your high fucking horse, it's condensed into a hot garbage mess that is an indecipherable cluster fuck by the end.
That's not actually true.
>which is all a metaphor for how fucked up rapid globalization
What the fuck? How'd you get that?
>the worst thing is that the relationship between Kaneda and Tetsuo, just about the movie's strongest point, is shoved to the side in favour of a bunch of Japan-centric 'GRORIOUS NIPPON ENDURES SHINTOISM IS THE BEST THING EVER FUCK OFF GAIJINS BONZAIII!'
What? The Kaneda/Tetsuo rivalry is just as strong in the manga as in the movie, and better in some places. Yamagata getting his head blown up in front of Kaneda was a turning point for Kaneda to actively want to contribute to Tetsuo's demise. The equivalent in the film being when Tetsuo himself blowing Kaneda back in the baby room.
>The Clown war, the psychic lady's followers, Tetsuo's meme empire and the JSDF special forces and a dozen other things all felt like just more stuff rather than contributing towards making Akira a better story.
The things you just mentioned in no way harm the themes of AKIRA.
That's not true at all. Elaborate clearly, please.
>Clown war
Christ, now I remember why I hate weebshit.
Nice trips. What's wrong with Kaneda's gang vs the Clowns? It demonstrates a gradual asencion of Tetsuo's strength and confidence: He gets these godlike powers and the first thing he thinks to do because he's a teenager in a bike gang is take over the rival bike gang and fuck with Kaneda. All because he's a teenager. It's perfect.
I think it's got to be contrarianism. Akira is the gateway anime for a lot of people but that doesn't make it bad.
It makes plenty of sense in the movie as long as you don't try to actually work out exactly what happens to Tetsuo because you aren't meant to know.
I use 'globalization' as a general term for human progress. We've got a lot more going on than we did a couple of hundred years ago and as a species we're becoming increasingly neurotic for it. Tetsuo is the personification of these feelings.
>rivalry is just as strong in the manga
I wasn't feeling it, mostly because
>the things you mentioned in no way harm the themes of AKIRA
I think that they harm the themes of AKIRA by distracting from them. The relationship between Tetsuo and Kaneda isn't DIRECTLY hurt by any of them, but by occupying so much time on side stuff between addressing key themes focus is lost. I think that the story works better compressed. Side stuff just blurs things.
It sounds more retarded than it is. Lots of motorcyclists fight, one motorcycle gang is called The Clowns. There's nothing exceptionally clown-like to them beyond the aesthetic.
>I think that they harm the themes of AKIRA by distracting from them. The relationship between Tetsuo and Kaneda isn't DIRECTLY hurt by any of them, but by occupying so much time on side stuff between addressing key themes focus is lost. I think that the story works better compressed. Side stuff just blurs things.
Sounds like you have the attention span of a fucking fly.
>attention span of a fucking fly
I willingly watch Derek Jarman movies.