I think this is from her performance of the magic flute
Chase Phillips
god i wish that were me
Hudson Flores
I disagree with the other guy that /comp/ belongs in /prod/ for a multitude of reasons. Firstly that /prod/ is largely (by at least half) derisive of theory. Secondly that most of them consider "chord codes" theoretically rigorous. Thirdly that you could post a really excellent composition with just a few faults and they'll harp on you about the mix. Fourth obviously the most theoretically knowledgeable people are in /classical/.
Mason Sullivan
a CUTE!
Samuel Smith
I can't think of any reason anyone would want to associate with Bernstein so let me be the first to say, begone pedo!
Elijah Clark
>Bernstein though i also long for his baton, nope
Thomas Cruz
oh, it looked so much like Bernstein to me I didn't even bother to check.
Gabriel Cruz
Petzold
Levi Williams
>meme-ing on performers and conductors for their looks
I prefer the ones that actually make good music. Who cares what they look like.
Liam Garcia
I just found out Halim El-Dabh is dead. Did anyone say anything or even cared?
Kevin Evans
I guess you could say that now he is decomposing
Ryder Walker
Cloudy winter day here, reading Dubliners for the first time What's good Celtic classical?
James Wright
Gergiev-tier
Jonathan Walker
DADDYYYY
Alexander Cox
nothing. Even Mendelssohn's Scottish symphony isn't Celtic. Other than that what are you going to listen to, fucking Holst? Get the fuck out of here.
Elijah Lee
t. ugly.
Carter Gutierrez
give me your best beethoven albums
Aaron Johnson
...
Jaxon Gray
Petzold
Camden Perry
...
Liam Watson
Zetpold
Luis Perry
Just checking, but does any of the mega folders have piano soloist music, looking to pick up high level pieces to learn.
Kayden Gomez
>tfw you'll never have a threesome with Lenny and Copland
How do I learn to compose? I already know a lot of theory from playing music for a long time, but when it comes to composing I have absolutely no idea where to even start.
Should I just start by composing really simple ABA types of music, or similar forms of music? But after that, where do I go? How do I go from making dull, "technical exercise" music to actually meaningful compositions?
I think I have an idea of what type of music I want to eventually create, but I don't really know how to develop my compositional techniques to eventually realize those ideas into actual compositions.
Xavier Ross
Would you do Frau Furtwangler?
Brayden Rogers
>tfw you're not gay so you really don't care and thus this comment is pointless
>Hans Keller claims that Schoenberg was aware of this serial practice in the classical period, and that "Schoenberg repressed his knowledge of classical serialism because it would have injured his narcissism."
Is this true?
Adam Diaz
There are tone rows in Mozart's G minor String Quintet and G minor Symphony, as well as a tone row in Bach's A minor prelude from Book II of the Well-Tempered Clavier. I recall a quote of Schoenberg's, saying that all of his style was contained in Mozart.
>tfw always too paranoid if I'm gonna snap a string while tuning Music for this feel?
Cameron Hernandez
>Bernstein, Copland, Schoenberg For the love of all things Holy and Classical, please stop posting retarded shit in this general, you dumb fucking plebs. Thanks. youtube.com/watch?v=l_lblj8Cq0o
Austin Campbell
Kind of. You can find all of Schoenberg's styles in the baroque and classical period but I think it's difficult to make the argument that the intent was the same.
James Robinson
Hey my doods, I know this sounds pretty autistic, but are there any composers that has similar vibes to the Bloodborne soundtrack?
Honestly, the best thing Wagner produced is his polemical writings.
Isaac Reed
Honestly, you're a pleb if you believe this.
Jason Gray
every time I add counterpoint to a melody it ends up distracting from the initial theme. What am I doing wrong?
Julian Evans
I don't think you want to employ counterpoint if you're trying to draw attention to a theme.
John Garcia
>distracting from the initial theme don't coddle your theme like that. I'm sure it's good but a composition and more importantly a composer is defined by their counterpoint, not by their theme.
>Well, you know, I have very often been to juries for composition all around the world. When you look at the scores of young composers, very often you don't have time to look at the scores completely. But the most important moment is the first change. The composer comes and establishes an idea that everybody understands. Everybody can have an idea. Everybody. The problem is to have a second one. This is a greater problem. And the major problem is to know where and when to bring in this second idea. And very often, you realize after a few pages that he is not a musician. He does the wrong thing. You have this feeling.
Jason Diaz
Who said that?
Bentley Peterson
Grisey
Angel Cruz
I'm mostly going by JJay Berthume's advice. Its also kind of necessary based on the constraints of my composition.
Ryan Gonzalez
You can make the counterpoint less complex (have less notes) than the theme. Keep deleting the counterpoint and trying again until you're satisfied.
Just fuck around. Write things in DAWs, improvise on instruments and write down anything that seems good. Essentially you need to start generating ideas (like melodies, chord progressions, rhythmic ideas etc.). Once you have ideas you can start turning them into actual compositions. Read a book like Schoenberg's Fundamentals of Musical Composition.
Austin Adams
>constraints of my composition
What are those?
Jeremiah Adams
I'm writing a quartet in a very loose twelve tone system and trying to make it sound as consonant and romantic as possible.
Matthew Barnes
>that one musical excerpt your classical radio station uses inbetween songs >you've heard it so much it's ruined the entire piece for you What's her name, /classical/?
Aaron Ward
John Cage's 4'33"
Daniel Richardson
I don't know but I really love it and I don't know how to find out.
For any ausfags that listen to abc classic it is the tune that plays at 12:00 introducing the 'afternoons' program.
Ethan Myers
its like you want a bad mark.
Aiden Cooper
where can I find this
Hudson Wood
post the most patrician composers of old and new that you know
at 30:40? Reminds me a bit of this youtube.com/watch?v=tKZBmMu06Fg but with gypsy/jewish inflections, so you might have luck searching out slow violin pieces in those areas
