What's the TMR for all genres?

What's the TMR for all genres?

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mcraigculbertson.bandcamp.com/album/han-salo-shuffle-or-whatever
youtube.com/watch?v=7zdLfPN6F-o&t=503s
youtube.com/watch?v=Uig_EbXYwn0
youtube.com/watch?v=9gZULn9R2Dk
youtube.com/watch?v=QNStKhavmOs
youtu.be/rxZWdGOwLFI
youtube.com/watch?v=YW6eHunEysA
youtube.com/watch?v=mmdOYY8bZAE
youtu.be/3dz2RCao8f8
youtu.be/uFhTdkuwa6Q
youtu.be/PNRV-XfVGCo
youtu.be/nF9mCb8jpd8
youtube.com/watch?v=-FhhB9teHqU
youtu.be/t9B_erkJe-k
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TMR for Hip Hop.

In what way?

For death metal its Gorguts - Obscura
For black metal its Deathspell Omega - Fas ite
For mathcore its Dillinger Escape Plan - Calculating Infinity

I would guess the avant guard, weird arrangements and being offputting to most mainstream music fans.

Industrial / noise rock I guess

Like this 10/10 pop album that most pop fans hate?

emo/ midwest emo

Jazz.

what is TMR the TMR of? blues rock?

this is more like the pet sounds of emo. idk if their is a trout mask for emo. if their was itd probably some kind of screamo desu

the tmr of jazz is def ornette coleman my guy

mcraigculbertson.bandcamp.com/album/han-salo-shuffle-or-whatever

plunderphonics

Dark Souls

I'd say definitely this one for hip hop. It sounds experimental, refreshing and multi-layered, much like TMR

...

Babyfather- BBF Hosted by DJ Escrow
(as the TMR of hip-hop)

this is the tmr of jazz

...

...

Black Saint is actually listenable.

>implying it's supposed to be unlistenable
tmr is listenable. You're just bad.

Fuck outta here user, The Black Saint and the Sinner Lady is incredible.

far too niche, i'd say paul's boutique or XXX in terms of it taking a good few listens to get into desu

??? yeah so is tmr

So is Bitches Brew and TMR.

Seriously what's with this "TMR is actually a good album" meme?
Literally listen to it youtube.com/watch?v=7zdLfPN6F-o&t=503s

>what is personal taste and subjectivity
it sounds great to me

it's fun to listen to, and it's creative. what more would make it good?

>it's fun to listen to
youtube.com/watch?v=Uig_EbXYwn0
Most fun 2 minutes of my life desu

Beethoven's GROSSE FUGUE op. 133 is the original TMR of TMRs (includying TMR)

>Seriously what's with this "TMR is actually a good album" meme?
probably decades of critics and acclaimed artists praising the album

that doesn't prove your point at all, shit that's like the most accessible song on the record

cmon try harder put your heart into it

>not fun
youtube.com/watch?v=9gZULn9R2Dk

why, it isn't to you? Imagine: how surprising it would be that people could think otherwise! But yeah, it's fun to me, he has a good voice

Paul and XXX don't have the noisiness/abstract compositions that TMR and Sensational do, though.

>Seriously what's with this "TMR is actually a good album" meme?
It's not that is "good" (or bad for that matter). Is one essential album to know, and one of the most unique in rock also.

True, I was gonna post this one but the thought of having to listen to it for even 2 seconds when I opened the video initially put me off
youtube.com/watch?v=QNStKhavmOs

I mean the instrumental on this one is actually almost bearable and then he just fucks it up by obnoxiously talking shit over it

>paul's boutique
weird, i dint think this was middleschool
god you people are bad at this

maybe I'm wrong but I honestly think anyone who says they like TMR are either baiting or forcing themselves to like it. It just seems unlikely that people would listen to it and unironically think "hmm, sounds alright to me!"

you're very wrong

post-hardcore

Why though? The instrumentals are painfully bad and chaotic, albeit still the most acceptable part of the album. Beefheart can't sing. Most of the time he isn't singing anyway, but shouting incomprehensible and annoying bullshit. The mixing is shit, his voice is waaay too loud. Literally everything is constantly out of rhythm; the musicians sound incompetent almost to the point of being mentally challenged. The "lyrics" and attempts at humor are as cringy as the music itself. This album is the only literal 0/10 I've heard. Try to find a single redeeming quality for me, protip you can't.

Yeah I don't get the love for TMR. Seems like an inside joke to like it just because some dudes said it was good. I actually found this to be one of his better songs, you know when he tries...

youtu.be/rxZWdGOwLFI

PB and XXX pair lyrical and sonic weirdness in the same vein that TMR does imo
ye mam sucks eggs

Go back faggot

Yeah, that's okay. Don't think it sounds very special either though and his voice is awful no matter what

>The instrumentals are painfully bad and chaotic, albeit still the most acceptable part of the album.
try separating them out as you listen. Most people recommend concentrating on the drums. Maybe do a listen where you only pay attention to the drums. If not a single song clicks, focus on one guitar. If nothing clicks, focus on the other guitar. The mixing is awful and the bass gets drowned out on dachau blues, pena, neon meate dream, and a few others, which sucks. If after a few listens of isolating instruments and still nothing sticks, just consider it a lost cause.
>Beefheart can't sing
What do you mean? The dude has an amazing blues voice. Listen to Howlin Wolf or Muddy Waters or even someone like Tom Waits (who isn't really blues but whatever). Sounds just like them.
>The mixing is shit, his voice is waaay too loud
I'll give you that
>Literally everything is constantly out of rhythm
if you try out the instrument isolation trick, it's easier to see how each instrument interacts with the others and how nothing is out of rhythm at all, even though it might seem that way at first
>The "lyrics" and attempts at humor are as cringy as the music itself
if it's not your thing, it's not your thing. this is probably a case where lyrics don't matter that much and really aren't the point of the album at all. The magic band played most of the songs on this album instrumental anyway, when they played live. Also, I recommend checking out Grow Fins, if beefheart's voice really bothers you this much. It has instrumental versions of a lot of the songs, and it might help you understand how the songs work, so you don't thing it's just one big mess of random notes flying all over the place.
>Try to find a single redeeming quality for me, protip you can't
It's a fun blues album that reinvents the genre from the ground up. The songs are unique and catchy, and it almost never grows old, because you find something new each listen.

It's just a gimmick. Sure it's interesting when you single out the instruments and know that it was all recorded in one take, but it doesn't make it good per se.

Also the fact that Beefheart didn't know how to play instruments during the recording of the album is pretty funny in how people still lap it up.

Okay, maybe I'll check the Grow Fins thing because yeah, everytime he opens his mouth it's actually revolting to me. He just goes way over the top, screams his lungs out in an extremely annoying way and sounds like some wasted beggar singing folk songs under a bridge. I also think his voice is bad but it's less of a problem than the way of singing

it's pretty damn gimmicky I'll also give you that. The singling out the instruments is more of a way to get you to understand what each instrument does and how they interact with the other instruments. After a while, it makes it easier to listen to the songs as a whole and find them enjoyable as a whole, rather than just focusing on one instrument. You don't have to like it if it's not your thing, but it's a genuinely enjoyable album to listen to, at least for me.

I admittedly like this song btw especially 1:14 onwards. When he sticks to instrumentals, and those instrumentals aren't saxes played as loudly as possible by someone who never touched a sax before, he can be alright

forgot link youtube.com/watch?v=YW6eHunEysA

>amazing blues voice
H O Y H O Y AAAAAAAAAAAAAAAAAHHHH
youtube.com/watch?v=mmdOYY8bZAE

>I don't like this thing therefore nobody can!
There are people like have their faces shat on and you can't believe someone would like a fucking album?

this sounds horrible. kid a is and always will be the best experimental album of all time

the tmr sessions are on disk 3 and 4. disk one is sam sessions, disk 2 is live recordings, and disk 5 is mostly sessions that didn't make the album or are on later beefheart albums.

I can genuinely bring up more understanding for that than for people who love listening to Captain Beefheart's primal caveman screams.

lol

maybe that not, but it's at least an album I could physically manage to sit through beginning to end

Legend has it beefheart forgot his harmonica the day they recorded the album, so he had to yelp the harmonica parts. I think it works alright with that song.

Explain why.

...

imagine being this much of a literal pleb

>kid a
>experimental
LOL

The feces of a woman are at least physically connected to something that's biologically speaking a natural object of attraction. Liking Captain Beefheart, on the other hand, can't be explained from an evolutionary viewpoint. It's inherently unnatural

>Liking Captain Beefheart, on the other hand, can't be explained from an evolutionary viewpoint. It's inherently unnatural
So is liking any music. We only exist to reproduce. What evolutionary advantage does listening to music provide?

You can make yourself seem interesting to girls through music, who are potential mates.
>He listens to music for his personal enjoyment
fucking pleb

But why would listening to music make you more interesting to women? The women must have evolved to find enjoyment in music in order to find men who listen to music they enjoy interesting. Why did they evolve that trait?

...You got me cornered

TMR is actually listenable though

>2018
>TMR is still 2deep for "people" that claim to like music
Lole

to be fair, noise rock is already a bit difficult to listen to
so the TMR of noise rock would be pretty fucking hard to listen to

this desu

Punk

>2018
>still being a poser who pretends to "like" TMR to come across as intellectual

>implying I'm pretending
pleb

Sorry about your peanut brain little buddy. Really am.

>2018
>Still thinking that liking something experimental is "pretending"

accurate

>2018
>still hoping people will fall for your baiting and Beefheart apologia

So what percentage of people ITT do you guys think have genuinely convinced themselves that they enjoy TMR? At first I figured the majority knew they were faking it but now I'm not so sure, maybe the bait has just gotten very elaborate.

I think most of them have seriously deluded themselves into it, no matter how crazy it sounds

There's no faking, user.

for hip hop its easily TMS

no you fucking idiot
not even their most inaccessible

They just listen to whatever their favorite artist/reviewer has to say about music and go on from there.

I'd say for hip hop it's more likely TPAB or one of the Saturation trilogy albums

I've been seriously considering trying to make the worst album imaginable just to see if some insecure hipsters will praise it anyway, which is kinda what Captain Beefheart was trying for in the first place.

what the fuck

>Try to find a single redeeming quality for me, protip you can't.
Audible bass.

Do it user. I'll buy it

HAHAHAHAHAHAHAHAHA

youtu.be/3dz2RCao8f8
youtu.be/uFhTdkuwa6Q
youtu.be/PNRV-XfVGCo
youtu.be/nF9mCb8jpd8

youtube.com/watch?v=-FhhB9teHqU
literally all of what you said is wrong

>which is kinda what Captain Beefheart was trying for in the first place.
No it wasn't. Why do plebs always think this is the reasoning behind this album?

Isn't it though? Why did he intentionally try to make the musicians play out of tempo? If he actually intended it to be really good on an unironic level that raises questions about the guy's mental sanity

>plebs
Ah, yes, you're quite enlightened. You understand the depth of this album. I'm curious about your thoughts, as a patrician, on this piece here:
youtu.be/t9B_erkJe-k

he fucking beat the drummer for not being able to play a "strawberry"
guy was fucking looney

They're not out of tempo at all. The album sounds like a blues album, just more layered.

>Also the fact that Beefheart didn't know how to play instruments during the recording of the album is pretty funny in how people still lap it up.

his band on the other hand were all serious musicians who knew their shit. he would bang out ridiculous melodies and chords on the piano, the drummer would transcribe them, and him and the band would mash em together in a way that starts to make perfect sense by like the 5th or 6th listen of each song. Great mixture of incompetency and legitimate talent and artist vision.