Anyway, so Musicbrainz Picard is great for tagging classical music consistently. Does anyone have a good file name template for classical music they could recommend??
Noah Jackson
Major key music is objectively better than minor key music. Discuss.
Kayden Watson
How can you discuss facts? Only Thovenplebs would try and argue otherwise.
Eli Foster
Even Beethoven's major music is better. Take the Waldstein, for example.
Major music can convey intense happiness and joyfulness not found in minor music, while also having the possibility to convey serenity, melancholy, spirituality and also the intense longing and sadness found in minor keys, just with more subtlety and tact.
Dylan Lee
Final movement of Waldstein is sooo good
Leo Price
dont like the way his fingers hit the keys
Tyler Bell
Hey, quick question. Can you actually write a 12 tone fugue. Isn't the point to not repeat anything but you'd have to repeat the subject for it to be a fugue. Or am I the nigger in this situation
Kayden Edwards
Beethoven is Romantic
Jayden Peterson
>Beethoven is either a 100% romantic or classical composer >periods don't overlap
Jose Martinez
t this song sad so romantic
Grayson Lewis
>what is the evolution from empfindsam style to early romanticism >what is Sturm und Drang >what is proto-Romanticism
Michael Wright
12 tone sucks
Xavier Sanders
music sucks
Carson Morales
t Implying proto-anything is that
Jordan King
Where do I start with Scriabin. Apart from his sonatas, and preferably piano stuff unless its good
Andrew Ward
>Scriabin Do a 360 and walk away.
Justin Morales
no because I like his 5th sonata
Jack Hernandez
I'm so sorry for you
Aaron Diaz
Why do you not like Scriabin? www.youtube.com/watch?v=0Pc0i5HO9j4
Jaxon Wood
No key > minor key > major key
Benjamin White
>Beethoven >Composer and pianist, regarded by many as the first Romantic-era composer
His Poems are god-tier. Vers la flemme, 2 nocturnes, the Polonaise op. 21 and Fantasie op. 28, Valse op. 38. His symphonies aren't bad either; the 1st one is pretty neat and obviously the Poem of Ecstasy and Prometheus.
Christian Campbell
t. Somebody who doesn't actually listen to classical music
Parker Ross
I haven't even listened to him desu I just like being contrarian with modernist music
Leo Cruz
I have ascended, you fucking plebshit.
Christian Brooks
Okay somebody, anybody, i need help. Basically, what are the essential works, from a variety of different composers and a variety of different periods, that you would generally determine to be the best of the best in terms of how interesting and impressive it is. No i dont want any meme pieces like whatever the trout mask replica equivalent is. just whatevers fairly accessible while still being unique. i have tried looking myself but its all so overwhelming, could you help me start?
how can i find verklarte nacht so beautiful, but not any of schoenbergs atonal works beautiful at all, i don't think he purposely wrote bad music, so i must be at fault in someway
That piece is barely atonal to be honest. Schoenberg was always very romantic in his core though.
Alexander Sanchez
Bach, Art of Fugue, Musical Offering, Brandenburg Concertos, The well-tempered clavier Mozart, Piano Concerto #24 Haydn, String quartet Opus 76, No. 4 ("Sunrise") Schubert, String quartet #14 "Death and the Maiden", Unfinished symphony. Beethoven, All of it except the early stuff(check the opus number), late string quartets are exit level. Brahms, Violin Concerto Wagner, Tristan und Isolde
Christian Gonzalez
Oh ok.
It's okay user you can listen to Mozart all your life.
Brody Long
The Gurre-Lieder gets me even more. Schoenberg was so good at orchestration.
Caleb Myers
Out of curiosity, how do you tell if you're compositions are something at their core?
Alexander Nelson
Has a universal music theory ever been proposed? Like a very abstract theory that kind of summarizes the commonalities between all tonal languages?
Juan Diaz
idk, but the harmonic series is a good starting point.
Oliver Stewart
But that has sections which go into a minor key. When you have a good balance of the two, there is a powerful effect which is found in that sonata.
Easton Edwards
sure but Id consider that more the natural phenomenon on which theory is based.
Lincoln Foster
Daily reminder that I, a mere brainlet, came up with a more efficient system of musical notation.
every note will be 4 lines/spaces away from its last position. But three key signatures has to be better than 15 I would think
Justin Thomas
I'll change to the system if you personally transcribe all music recorded by Beethoven and Mozart and Wagner to this system.
Jace Brown
>when someone tells you they love classical and you ask them their favorite pieces >they reply with, "oh i dunno, just whatever is on the study playlist on youtube"
Oh don't worry, I'm not suggesting this system should supplant the current one. Its just in a previous thread I said "musical notation is retarded and anyone could come up with a better system for putting music down on paper) and of course everyone said I was an idiot, so I thought I would just go ahead and knock out a system with more integrated heuristics. I would put some serious thought into coming up with something more sophisticated before endeavoring to take up your challenge. And even that would likely be a waste of time.
Jason Gomez
>The Scriabincuck is a mozart hater Contrarian confirmed
Kevin Long
You can't just make up a system and proclaim it to be better. Put it to use and see how it works and then maybe we can discuss it. I don't personally believe this would be a better system.
Nicholas Wright
No, I literally can. That's my point. If there was something inherently beneficial about the regular musical staff then I would back off but its the Finnish of musical communication.
Bentley Sanders
did you not read his post? you can't tell whether or not it is superior without applying it
Evan Cruz
so how does it work?
Thomas Reed
Let's see. The system I provided a) localizes all the relevant information about the note value b) significantly reduces the need for memorization of specific information c) makes for more axiomatic reading. This doesn't even have to do with music, just language in general.
Wyatt Foster
You expect too much from /classical/
Christopher Nguyen
>only 3 key sigs
??
Mason Jenkins
petzold
Liam Gonzalez
"not repeating anything" in 12 tone music is a myth.
I think Bach used a 12 tone row in one of his fugues, so you can definitely use a 12 tone subject, but treated tonally.
Bartok and Schoenberg both wrote 12 tone fugues so they're certainly possible
David Thomas
Anyone else get into classical after getting into prog rock?
Okay I was just wonder, because I know there's a difference between having a row in tonal music and having 12 tone music without a tonal center. I just figured I'd ask.
Tyler Clark
What do y'all think about based Sigurd Rascher and classical saxophone in general? Post classical that include saxophones.
thank god schoenberg emancipated us from dissonance so we don't have to listen to braindead faggots like this guy
Ian Nguyen
can you show how this work as your signs aren't explained thanks senpai
Jayden Brown
so is this coupled with standard notation? can you show an example of how this works? i'm curious
Gavin Miller
why is he so perfect bros? >the last in the line of the german grandmasters >perfectly combined romantic expressivity with classical balance and craftsmanship >wrote passages of such dense and adventurous harmony that they still confuse theorists today >mastered all forms (exempting his justifiable disinterest with the lowly opera) >hated the soyfrogs with a passion >came from a working class background, appreciated folk music, and avoided religious nuts >wasa qt >cucked faggot schumann
there are only a handful of composers who have elevated opera to the heights of other forms such as that of sonata and brahms wasn't stupid enough to try when masters before him did it better than he could
Logan Harris
spoiled myself with Richter's Matthew's/John's Passion and can't listen to any other conduction of it. HELP
Cooper Nguyen
>Brams: 7 May 1833 – 3 April 1897 >Wagner: 22 May 1813 – 13 February 1883 Wagner was literally 20 years older than Brahms and died about 14 years earlier. While I dig Brahms, he couldn't out compose Wagner
Jace Sanchez
Rossini, "The thieving magpie" overture.
Thomas Lopez
Verkarte Nacht is before he went atonal.
Not your fault if you do or don't like a particular piece.
Christian Jackson
>find other baroque choral works that Richter conducted >listen >??? >profit
Jayden Harris
but I enjoy Richter's interpretations, that's the problem
Andrew Thomas
I mean we can't all be born faggots, gotta play with the cards you've been dealt
Camden Rogers
You might like the Nuclear Whales Saxophone Orchestra
Angel Gonzalez
link me the best conducting of Matthew's Passion
Cameron Diaz
Opera doesn't need to be elevated and you're a bitch for saying it does
Lincoln Walker
I personally can't say, I haven't sat though any other version other than Richter's yet. I'm more of a Stravinsky, Mozart, Beethoven, Wagner guy who's getting more into Brahms. I do listen to Bach quite often, but it's usually his solo instrument pieces, I haven't dug deep into his choral pieces much.
Brayden Thompson
Already know them, got anything else?
Grayson Thompson
Who is that?
Adam Lee
I used to love Shotakovich but then I heard Mahler. Every trick this Slavshit ever pulled is present in Mahler's 5th or 6th.
How the hell did he get away with this?
Lucas Wilson
Mahler is the most underrated composer of all time.
Jordan Rivera
>composed like 10 pieces >plebs try to place him alongside Bach and Mozart whose catalogues run over 1000 and 500 respectively >underrated
