Some of my favorites from the /classical/ canon include the later piano concertos of Mozart. Listening to 20 on up on this fine day of rest. youtube.com/watch?v=jvRhkZLM__E
>I will never read So your opinion is completely worthless.
Anthony Mitchell
All opinions are worthless
Tyler Williams
>except mine one
Logan Hall
if your opinion is based on the occidental observer your whole life is worthless
Kevin Gomez
You're a fucking retard. It presents quotes from actual people like Bernstein and delusional Mahler biographers. Even if you don't read anything they themselves say, it's objectively right there for you to see what is going on. But of course it's easier to just write it off smugly because they're disreputable because the kikes don't like them because they write about kikes.
of course, it might take some acculturation but it doesn't seem inconceivable that a chord could make sense as the dominant of some scale ascending and the 6 chord or some other scale descending and who knows what the actual limit is before it turns into incoherent noise.
>in 10 years there won't be an audience left. They were probably saying this 20 years ago. But the population is aging, there's more old people than ever, and they are the most reliable classical audience. With some better promotion, classical will be fine.
>the audience that remains seems to only be present to "be impressed" I doubt that the audiences in the past had better reasons to go to concerts.
Wyatt Richardson
My family keeps saying how great the Ruskie composers are, but I don't really know where to start with them. I'm listening to the second piano concerto by rachmaninoff, but don't know where to go from here. Anyone have some recommendations? For a reference of my tastes, my favorite composers are probably Sibelius and Dvorak.
Aiden Clark
There are Mussorgsky (Pictures at an Exhibition, Night on a bare mountain, Boris Godunov), Stravinsky (The Rite of Spring, Petrushka and Firebird), Prokofiev, Tchaikovsky and Shostakovich. These would be the most important russian composers, I think.
>Rach Yikes. Just listen to Scriabin and the modernists that were influenced by him (a whole generation) like Feinberg and Roslavets.
Grayson Gomez
no but I was on a Zart binge incidentally
Bentley Campbell
>tfw you finally figure out which piece your earworm was from best feel
Asher Miller
What was Adorno's opinion of Schönberg?
John Taylor
What opinion d you think would have a jewish musical critic of a jewish composer?
Mason Russell
I haven't read Adorno but wasn't he dividing music into degenerate and non-degenerate? And considering Schönberg's music was classed as degenerate by the Nazi regime I was wondering if Adorno thought so too.
Eli Lee
>still uses time signatures weak classical
Ryder Green
He classified as degenerate popular music (like today rap, pop, etc) and non-degenereate genres like classical music (maybe jazz, no sure)
Nathan Roberts
Ok, but what about Schönberg? And what do you mean "like" classical music? Is there any other genre that is non-degenerate?
Landon Reed
He was a massive fan of Schoenberg, but Schoenberg didn't much like him, reportedly because of Adorno's savaging of Stravinsky as a composer. I do remember reading a somewhat striking anecdote about Adorno championing Schoenberg's music during his time in California, but I'm having some trouble finding exactly where I read it in order to make sure I parse it correctly.
