Is there a more powerful scene in cinema history?
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Is there a more powerful scene in cinema history?
Robert Richardson
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Christopher Clark
collateral was overrated shit
I was promised operator kino and all I got was scared nigger kino
Nolan Price
Evan Perry
>scared nigger kino
one of my favorite genres
Evan Scott
tell me you didn't tear up from this
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i dare you faggot
Jace Hughes
the composititon, the acting, the drama, the arrangement and the pure harmony of all those elements evokes nothing short of awe.
Brilliant scene.
Charles Robinson
my favorite scene ever
Logan Powell
Wyatt Watson
what was the meaning behind that coyote
Oliver White
the director notes, “To me it’s about emotion; it’s how those environments surrounding these characters make us feel, so the atmosphere around them was quite critical. I find Los Angeles at night to be very emotional. I wanted to tell a story that evokes some of the wildness that lurks just one layer below the surface.”
That wildness is conveyed in a brief encounter between Max and Vincent and three coyotes crossing the street in front of the cab. The scene resulted from Mann’s own experience, as he relates, “I was driving home late one night and stopped at a red light, and three coyotes walked diagonally across the intersection like they absolutely owned it. It was something I never forgot. It wasn’t just the presence of wild animals in the middle of the city; it was their attitude that this was still their domain, and this layer of civilization was merely temporary.”
Cruise says that he feels the scene in which Vincent and Max cross paths with the coyotes “has a hypnotic quality. In that moment you see these two guys are in their own world, yet they are connected. They’re on this journey together.”
Andrew Moore
The cringey song ruins it.
Camden Myers
None, they just randomly walked into the shot and they decided to keep it in the movie. Look it up
Nicholas Reed
this. felt like the end of an episode of The OC or something
Isaac Perry
U gunna see Get Out senpai?
Asher Peterson
>operator kino
fuck off kid
Christopher Perry
Collateral has so many good elements and so many bad elements.
Bentley Davis
what are sum bad elements
Tyler Lopez
why do some of those shots look like they were taken with an iphone camera?
also 1;49 - 1;53
what was the point of this sequence
Logan Perez
Final act.
Inconsistency between raw and real elements, and very Hollywood-y and silly elements. Some moments in the film feel real like Pusher 1, others feel like Tom Cruise and the crew doing movie things.
Jarring contrast between different visual styles/gear used.
Buttrock.
Zachary Gray
Camden Parker
what's wrong with the final act?
>Inconsistency between raw and real elements,
name some examples of this
>nd very Hollywood-y and silly elements. Some moments in the film feel real like Pusher 1,
name some examples as well
>Jarring contrast between different visual styles/gear used.
elaborate
>Buttrock.
kys
Mason Morgan
I don't think I've witnessed a better scene in a film
James Wood
This scene and the opening scene are some of the most kino scenes i've ever witnessed
Jose Green
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Pretty much any scene in a Malick picture desu
Grayson Davis
William Wright
I sometimes see this scene in my dreams. It's been two years since I've seen this film and I've only seen it once.
Camden Butler
WoD has several amazing scenes, but this is by far my fave.
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Thomas Adams
some good ones in here but I can't think of a better scene, personally speaking, than this...
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the plot build up, the music, the cinematography was all 10/10