You are now the new Editor In Chief and or President of Marvel. Do what ever you want

You are now the new Editor In Chief and or President of Marvel. Do what ever you want

Everyone is white and straight now.

Kill Whor.

Even T'challa?

He can be gay.

>over the course of the next 5 years, slowly end the entire marvel universe
>burn the entire company down and sell it
>retire
>die happy knowing I got to write a third act to the longest story in the universe

Make most of the new characters sidekicks for at least 5 years to their older counterpart, kill off Jane Thor and make it Bill and Thors bro adventures through space. Make a time distortion happen reverting Xmen back to right after Morrison's run and focus on the school. Bring back the FF and make them teachers training all the young heroes. Have a Spiderbros book with all the Spidey people, alternating who it focuses on each week and have team up issues. Fire anyone who heavy handedly forces politics from either side into their books. Bring back the New Warriors and make it Marvel's version of the Teen Titans.

Come up with a plot to kill every single mutant, and fantastic four entity.

Whenever FOX wants to play ball with my movies I'll reset the universe .
616 has been going on waaaaaaaaaaaaay too long anyway.

Force Bendis into retirement. Or make him suck Slotts mini cock.

Rise of Mictlan - the new adventures of Kaine the Scarlet Spider in his quest to help Humminbird/Aracely the Aztec demigodddess (Huitzilopochtli reincarnated) of War, Sun and human sacrifice conquer Mexico or something really creepy. It has redeemed Ben Reilly also.

Kamala Khan can only be written by G. Willow Wilson and no one else.Try to put her in a team, that book has to be written by G. Willow Wilson. Cameo? Co-written by G. Willow Wilson.

A darker group of no-Avengers comprised of Mania, Robbie Ghost Rider, Blade and her daughter.

New Nova Corps book where Richard and Sam start recruiting people to form the new force: some known Earth (Jack Flag, unused mutants) and space heroes (Ronan the Accuser)+ allies (the new Quasar girl) to defend an invasion from a far corner of the universe outside the Virgo supercluster and Local group of Galaxies... like maybe an adnvanced evil Symbiote empire/civilization (the antithesis of everything Klyntar ala give Carnaga-crazy symbiotes to space Attila the Hun).

I wouldn't kill Jane Thor, but I definitely want more Beta Ray Bill and Thor bro adventures.

>Have a Spiderbros book with all the Spidey people, alternating who it focuses on each week and have team up issues

Great idea.

>Made amends with DC and have a crossover event.
>Fire Slott, remove Bendis's Auteur License and put him on lockdown with a close eye.
>Hire new upcoming writers to write comics in order to build some star power.
>Put a ban of multi-comic spanning crossover and make only one every two years.
>Bring back the Fantastic Four and X-Men in the spotlight, kill the NuHumans but let the classic Inhumans stay.

turn 360 degrees and walk out the fucking window to escape that fucking night are

Make a Batman/JLA series in its own universe that has Batman joining the League Of Assassin's after Batman's notorious villains discover the bat families secret identities and begins to kill them off with the exception of Bruce Wayne.

He goes over the edge and becomes a part of the league of assassins killing every villain in the DC Universe and its up to the Justice League to stop him.

1. CANCEL THE ENTIRE LINE
No ending or resolutions or anything, every single book is cancelled immediately

2. RESTART WITH NEW WRITERS
No one from the big industry, fresh writers with new ideas (not gimmicks) only

3. NO MORE ONGOINGS
Only limited so each story has a clear beginning, middle and end

4. NO CONTINUITY/UNIVERSE
Every limited run or one-shot would be self-contained. Characters can cross over but nothing that happens in one series will affect another

Continuity has made the Marvel Universe unrecognisable. People know the characters enough that they can read independent stories with them

Fucken SHUT IT DOWN

It's now assistant editors month.
Forever.

Get some new IP going.

Also Gwen Poole in other spinoffs. I saw someone mention Gwenisher as a joke so maybe something like that.

bring back the Fantastic Four and X-men
Bring back Cloak and Dagger to busting drug dealers in a different city without making them romantically involved

push my liberal agenda even harder just to piss off straight white males and then retire and collect my Nobel Peace prize

Kill off Miles. Undo OMD.

>I don't want to see progression.

Without continuity there is no more stakes.

You're hired

>Cut Inhumans down to one title. No single character books, just team book for them.
>Give X-Men two books, one regular team book and one where each issue is about two X-Men who don't usually work together or an X-Man and another hero, and a solo book to run 8 issues about a somewhat popular B-lister X-Man.
>Have everyone who's died in the last five years show up because of something someone did a few years ago, thus forcing readers to try and buy those comics if they wanna' call bullshit.
>Big event focuses on all the really evil villains, not criminals like Taskie and Constrictor, laying waste to New York because the heroes have been fighting each other. They turn New York into a villains paradise that's cut off from the rest of the United States. Have someone like Sinister or Kingpin look like the guy in charge when it's really some B/C-lister that had some broken powers or was working in the shadows.
>They also have nukes, so full on attacks won't work unless they want a nuclear winter. Heroes have to develop gorilla tactics, go underground, and villains become heroes in the process.
>Set up a site where customers can read all of our old shit from the 60's-80's, with ads of course.
>Sit back, make money.

I'd have a weekly anthology series that contains one-shot stories involving anyone in the Marvel universe. Mix of veterans and newcomers, see what becomes popular and maybe spin it off into a mini-series if possible.

Especially T'challa

who is the best writer/idea guy at Marvel anyway?

Make up excuses for every attractive heroine to gain weight.

There are no stakes when the status quo changes every six months with an event

A good writer can manage stakes in a three act story

OP's pic is an accurate representation of the Marvel Universe. Also Beta Ray Bitch finally dies of her cancer, and Carol decides her hormone treatments have made her act like a cunt, and transitions back into a woman.

Fire all the sjws. Tell guards to shoot them if they are close to the building.
Moore, Gaiman, Morrison. THis is your home. Feel free to come and write wonderful stories with our characters. Do whatever you want with them. Oh, and could you solve the OMD mess, please?
Real continuity. Characters will grow old and die. And they won't appear in more than 2 series.
You bash on other publishers, I fire your ass for giving Marvel a bad PR. Besides, what kind of idiot insults future or former employers?
No more decompressed narrative.
No more Ultimate universe.
90s characters: kill them off. Fuck Cable, Deadpool and all that shit.
No manga influence. Let's keep comics pure and clean from inferior beings.
Creative Commons licenses for all Marvel products.
Epic Illustrated v2. European and Latin American stories.
Spanish translations of books. It's the second language of the US!
Republish pre-1990 material and let 90s books rot in the cellar.
Punisher out of 616 universe.
Millar: get out of here.
Ellis: finish your series or others better than you will do it.
Give Moon Knight a decent writer, for Jack's sake.
Don't charge more than 2 $ per issue.
More translations of foreign material (yes, including manga)
A Vertigo-like collection.
Fuck crossovers and events.
Less splash pages. We are telling a story, you know.
No Conservative messages in comics.
Aunt may dies forever.
Iron man: he fell into a puddle and got rust. Killed off or a B-list again.
Writers and artists keep the copyright every time they create a new character.
Characters can smoke or take drugs if necessary or cool.
Put the ads at the end of the story. No more interruptions.

Miles Morales is Kid Arachnid
Jane is Thordis
Kate can be Ronin
Sam Wilson is the Falcon
Yost is writing Scarlet Spider again
put Bendis on Champions, it will still be bad but Bendis usually writes teens decently
only one big company wide event a year. there be events between certain groups of books or short crossovers between 2 different books.
stop pushing the Inhumans so damn hard
give X-men decent writers.

Every book is now about the main characters punching Batman right in the balls repeatedly and Batman is powerless to do anything about it because he left his Bat gear back in the DC universe

>story driven reversal of one more day

>he inhumans go back to the side characters that barely ever get thought of that they deserve to be

>cyclops is resurrected from pre-schism and the "all-new" x-men are sent off world for good

>all the current politically-minded writers are fired (spencer/slott/waid/bendis/etc),

a couple classic writers back

>gerry conway back on spider-man

>claremont back on main x-men

>Busiek back on main avengers

>hickman back on fantastic four

>simonson back on thor


overhaul of release approach


>less books, more frequent (like rebirth, big books get twice monthly, biggest books get 2 books, so its out every week.).
>2 x-books, 2 avengers teams, 2 spidey books, etc
>most solo books will be mini's (characters from team books like cap/iron man/etc dont need thier own ongoings, unless the story is really good)

>section off street level books from big team books (spidey/daredevil/moon knight/punisher/etc are all street level.)

just a few ideas off the top of my head

just a pair of questions, do you not like the current lemire run on moon knight? and why do you think the punisher shouldnt be a part of the main universe?

Delet everything post 2010 and kill every gay character.

. NO CONTINUITY/UNIVERSE
Similar to what Fox is doing with their movies then?

After Ennis, who cares about 616 Punisher?

he still works within the universe, you would just need to make his actions have broader consequences. like he kills a z-list villain and the villain community comes after him or something.

Fuck it have like 5 Punisher series, 3 Ghost Riders, Agent Venom with Mania and Avengers to even it out.

Never. Keep Marvel hacks away from Frank.

The entire line would convert to newsprint for $1.50 per issue, (a small publisher is already doing this so Marvel certainly can). Comics should look, feel and smell like comics desu.
Fire every single editor and creative director. They have been horrible caretakers of timeless properties.
Ignore tv and movies. Remember the movies are adapting classic comic book stories. Current stories, if adapted, would fail miserably.
Restore the FF and X Men lines. Make sure that no one else is shaping public opinion on the quality of your properties. Instead of trying to kill the properties as shady jews, be white about it and offer to buy back the rights.
If you want to groom the next generation of minority readers then a separate Ultimate line is the way to do that. The SJW era has to end or at least be a niche that does not bleed into the main line.
Some minority characters are working out just fine and should be kept. the rest should be forgotten.
Number one rule would be to take care of the properties youve been hired to work with. You are not a better creator than those that came before you if you cant do that.
Fire that muslim woman currently destroying the company...whatever her name is.

Tell writers to bring back any characters they want. Have the Marvel Universe as a whole again instead of a measly 20 characters.

what?

Gambit solo series.

Featuring occasional team-ups and cameos.

I will have the superheroes discover that they are in a reality that has been altered by Mephisto through the Spider Totem, forcing the world into a stagnant loop. In order to banish him from the totem, Parker has to terminate his deal with Mephisto, come to terms with his fuck ups and let Aunt May pass away. Mephisto tries to drag him to hell with him but the other heroes unite to save his dumb ass.

As time passes, legacy heroes will be gradually incorporated in order to make retiring old heroes possible. Characters can then age, marry, have children and die permanently. Whor is at the top of the list to die.

To keep fans of the old characters happy, a new Ultimates style continuity will be established.

>put Bendis on Champions, it will still be bad but Bendis usually writes teens decently
As long as Miles is still on the team, having Bendis writing won't make it any better. It may actually make it worse, which is really saying something considering how bad it is already.

>claremont back on main x-men
Modern Claremont is shit, though, and has been for years now.

What Marvel needs is some new blood that isn't tumblr webcomic tier and stronger editorial. They also need to focus less on short term gimmicky bullshit like constant events and relaunches, and get down to the basics: good creative teams with competent editors putting out good books.

You do one big last hurah event basically like Crisis on Infinite Earths.

All books are cancelled. And Marvel is rebuilt from scratch released in a similar way to how DC released their books with Rebirth.

The first books to be released are

>Captain America
>Fantastic Four
>Spider-Man
>X-Men

Captain America is pretty classic Captain America. However, you really tell the first Captain America stories with a heavy focus on World War II and Cap being a big fan of FDR and the New Deal. You also show that America and Russia were buddy buddy allies during the war. Steve sees America during the war period with rose-tinted glasses. After however many issues it takes to tell his story you finally have him sacrifice himself to stop some Nazi/Red Skull scheme and he gets put on ice.

When Captain America wakes up you really have him have a hard time dealing with the new America and it's current flirtation with fascism. Captain America stays being a very political book, because Captain America works best when he be used in a political manner. This does not mean he's a mouth-piece for the writer/editorial. The only people who are allowed to write Cap are people who have a really good understanding of global politics and political history. If you haven't read Thucydides, Machiavelli, Hobbes, and Marx you aren't allowed to write Captain America.

Fantastic Four focuses on the family aspect of them as well as their awesome cosmic adventures. Race changes can be done if the writer wants to change it up.

X-Men becomes like how it was under Morrison. A focus on the school and the mutants beginning their own culture. Magneto is built slowly as the nemesis of the X-Men. Wolverine can't remember his own history and doesn't have any of his Alpha Flight backstory.

Spider-Man is a teenager with superpowers. You make the stories of Peter really about his growth as a character as well as him just aging in general.

>cont

The next wave of books are the Avengers: Thor, Black Widow, Ant-Man, Hulk, Hawkeye and Iron Man.

You do this similarly to how the MCU was set up, Establish each of these characters and have their stories all lead organically to the formation of the Avengers. This also builds off the World War II Captain America story so that when all their books finally come together you have your first event called "Avengers Assemble!" where you tell the first Avengers story.

Various other books are trickled in through time, again like the Rebirth model.

No more tokenism. No more characters as mouth pieces for the writers. Politics has always been a big part of Marvel, but it needs to be done with nuance and actual political understanding. Books like Thor and the Fantastic Four aren't going to be political, but books like X-Men and Captain America are.

>ultra left wing cap
>sjw f4
>more boring highschool subplots on x-men and spider-man.
wow sunds terrible

Where's my check, I need to sign a lease to a new apartment in Portland. You can mail it to
111 W Burnside St, Portland, OR 97209
Thanks.

I would retcon wakanda out of existence

Step One: Identify Customs

Fire all writers and artists. I will single-handedly produce a monthly magazine featuring assorted hero adventures.

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Fire most of the writers and bring in desperate new blood who are willing to sacrifice their political voice for telling better stories. Tell them politics are less welcome now, but as a side effect we're more tolerant of letting them slip creepy fetishes in Claremont-style. I want an whole writing staff full of Chris Claremonts.

Also, find some way to make our prices lower so people will buy more. Send Kate Leth a handwritten note on how much I hate her and how much I thought her hellcat book sucked, and make her read it out loud and post the video on Youtube. Make a youtube channel with sparsely updated "behind the scenes" looks at how tings are going.

Remove Jane-Thor, somehow do it tastefully.

Kill off Miles, and make it as tragic as fucking possible. And he doesn't come back. I want people to miss him and be saddened.

Give Dr. Strange a girl sidekick for a while.

Make an edgy R-Rated book from Shuma-Gorath's perspective, after he successfully conquers a small city-sized portion of Earth. His main antagonist (would be the hero if it were from the good guys point of view) is Dr. Strange's girl sidekick. Plots are a mix of tyranny, intrigue, magical spy stuff, and thinly veiled or narrowly avoided tentacle porn.

No crossovers for two years. After that, d them sparsely, and as single-book crossovers instead of the whole goddamn universe. Crossover used to be fun and special, now they're just tiresome to read.

Have a few more horror themed comics out there. Try to make them actually scary instead of just edgy and bloody. I love horror comics.

Have a series called "Marvel Comics Presents" (I know the names already been used but we'll do it anyway) that's a testing ground for new characters rather than just plopping them out there. Writers have more creative control in this testing comic series. If a new character's book sells well in the test series, then we give them a chance

I'm trying my best to bring back what made Marvel good in the first place.

sell everything to DC for almost twenty bucks

Marvel Scope comic line:

This is my fan-made plan to re-establish the Marvel Universe.

Reinvigorate Historical and Aesthetic Importance:

Return all Marvel characters to the era in which they were originally written and bring back the 1960's era versions of the most popular characters. Within a reasonable creative boundary establish a timeline and end date for the adventures of heroes in the universe: for instance The Fantastic Four, Spider-Man, Hulk, etc existing in the same world with their characters ageing and growing across the years: spanning decades or just a few years: however long the character / team's relevancy to the other characters in the timeline remains logical and engaging.

Create two distinct release lines:

1) "Year X" graphic novels with feature length narratives telling a crucial element of the character's / team's journey. These graphic novels will borrow the best elements from previously established canon works whilst also re-evaluating aspects of the character's origins which could be told in more succinct and engaging ways: the key aim being to bring modern characterisation to classic versions of characters (similar to Netflix's current Marvel IPs).

2) Several issue "Episode X" stories with limited runs. If the "Year X" line are feature movies: this line are Quality TV episodes. These stories will fill the time-gaps the way Extended Universe comics do movies today. There is less emphasis on greater character change, but rather how the character with their set motivations antagonises their region/time period. For the most part these are where the crossovers will take place. On rare occasions where it will be most effective will character worlds crossover in the Year X line.

Mutants in the Universe:

The single greatest change I would make is moving the X-Men from the 60's to the late 70's/early 80's. This will happen as a turning point in the historical timeline: there will be singular mutant stories:

...

- "Xavier: Year One."
- "Magneto: Year One."
- "Wolverine: Year One."

These will be in the 60's timeline and will deal with the mutant crisis in its infancy: mutants exist, yet in drastically smaller numbers and most with far smaller scale abilities to begin with. The goal here is to not over-populate the setting with both superheroes and mutants.

The paramount element of mutants in the 60's is SECRECY, HIDING, and ESPIONAGE. There is no Xavier's school yet as a safe haven.

The other titles: F4, Hulk, Spider-Man, Thor, Captain America, etc -- are seen as the FIRST AGE OF SUPERHEROES, they're out in the open, for better and worse, informing future public opinion on mutants.

Going through all of the above stories could take several years before enough comics have been made to reach the late 70's era. By this time many of the greatest stories the prominent 60's era heroes can tell over the course of two decades will be told.

However a huge event will happen wherein most of the superheroes will vanish overnight: leaving mankind without heroes (and their villains who have been vanquished within this era).

With this this version of their characters can be brought to a satisfying end, coming to a close at the DAWN OF MUTANT-KIND.

Now the X-Men come into play taking centre stage: the classic roster given the same "Year X" and "Episode" treatment as the first age of heroes. This is also the time for legacy characters to come into their own: X-23, SHE-HULK, BUCKY as CAPTAIN AMERICA, etc.

The 1970's leading up to the mid 80's will put the mutant upheaval first and the remaining cape-wearing heroes on the back foot, reversing the status quo where anyone with powers is loathed: mutant or non-mutant alike.

These stories will be told as exhaustively as those in the 60's era until all the key origins and major events for the X-Men have been told.

Then an event will happen at the hands of a powerful mutant that'll set up the last act of this three part saga spanning decades in comic time, and a decade in real time:

Early 90's- to mid 2000's: UPHEAVAL

The great characters of the 60's are reborn for the 90's era: however their origins still remain tied to the 60's, with just the displacement aspect at play. Spider-Man / Peter Parker has to adjust to a modern world, as do the other heroes: most importantly when they return they see the legacy their previous actions left behind, instigating great change for them as they commit to fighting crime in a modern era (90's modern at least.)

>ultra left wing cap

The character was literally created to fight the ultra right. Are you dumb or something?

This is where the superhero / mutant infighting can go balls to the wall. The 90's / 2000's era is a time made for civil wars, crossovers, team ups, etc. This time there is a greater sense of different values at play, different histories, different kinds of heroes and new villains.

Once this has been mined for all its worth end the stories and give the Marvel characters a true send off: once and for all.

Then someone else can start all over again.

(Aaaand done.)

>gorilla tactics

>Comics now prepared in advance and available digitally at reduced prices after floppies are published.

>Writing is now done even further (however long is possible, probably a couple of months to a year) in advance with storyboarding, writers work in semi-fluid teams with core writer comboes for each ongoing and whoever is free or has a good idea helping out. Let things be re-written and edited and all books that are not one offs of in alternate universes get planned together to make coherent sense in continuity.

>Create "Marvel Monthly Magazine" aimed at civilians/non readers, contains 5-7 comic in 140 pages, always no more than two ongoing stories with hard links between them, lots of one shots, always one classic story, new stories in alternate universes clearly labeled as such. If it gets popular enough, branch out to give the different "families" (spider-family, x-men, avengers, fantastic 4 etc) their own magazine.

>Create MCU comic, each issue being a self contained movie continuity story, NOT movie adaptions.

>Ultimate Universe gets brought back (for selected stories to let artists and writers play around with, not a huge project), Miles Morales headlining as Spiderman, only one who knows the universe was once destroyed

>Create another alternate universe (not a big project just one or two books unless someone gets a really good idea) where the theme is HARD continuity and real-time progression. IE Spiderman, X-Men, Fantastic 4 started in the sixties/seventies and are now OLD. If characters die they DIE outside of incredible circumstance or major story focus.

>SOFT reboot of 616 to clear up stupid shit, bring back all the dead teen characters, push changing narrative and developing stories, let legacy characters progress. IE: roster changes happen and can be permanent, characters can die because you can tell stories about them in alternate universe in the monthly magazine, shit like one more day and battle world gets run back.

ALSO

>Drop all political shit except where it makes complete sense and is the focus of the story. No more pandering, but you can write political stories if they are good enough.

>See if we cant get some cartoons in cannon with the comics to help draw in more audience, especially for comics aimed at younger audiences.

>Push Nextwave, U.S.AVENGERs, FUN comic book shit as well as realistic believable shit.

And by reduced prices for comics after publication I mean like a month or so after and SUPER reduced, like a couple of dollars with no ads and a convenient and usable interface with most profits split between writers and artists . Make people WANT to by comics, shit like kickstarte/etsyr is a thing for a reason, people like knowing where the money goes and like helping the actual creators.

first thing I would do is get Ewing, Bendis, and the rest of their social justice ilk and make them scrum toilets rather than write anymore stories. Hire Terry Dodson and some good writers like the ones at Archie comics. Bring back all the characters we know and love and take all the SJW characters currently in the comics and have them sucked into a portal that sends them to Earth 666 to be zombie chow.

Make sure everyone is keeping up with their research on the characters and their recent events/backstory. "Wikipedia Doesn't Cut it!" is the motto of that.

The model DC is working on with lower prices and double-shipping big books is working pretty well, and it's one that should have broader adoption.

This will NOT be a line-wide reboot. Storylines will come and go, but each "Season" isn't going to need a new Number 1.

Lower prices of digital books. Especially for older books.

Beyond that, I'm not going to do much to change things directly. I want to hear pitches for new stuff, and get some new writers on to freshen things up.

do like DC did rebirth

Fantastic Four

Amazing Spider-Man - Peter Parker
Spectacular Spider-Man (Ben Reily / Kaine / Miles / Spider-Woman book, have the focus be on a certain Spidey other than Peter, cast rotates)

Uncanny X-Men
X-Force
Wolverine
Deadpool

Avengers
Thunderbolts

Hulk
Invincible Iron Man
Captain America
Mighty Thor

Daredevil
Punisher
Moon Knight
Ghost Rider
Dr. Strange

That's it. Those are the only books they should be producing. Everything should start at issue except for FF, ASM, UXM, and Avengers. Those books should go back to the original volume number.

Make a big event involving the death Steve Rogers. Replace Steve with Bucky. Kill off or have the weird diversity characters relegated to sidekick or back up roles. retcon Original Sins somehow, and One More Day... have Steve's soul trapped in Hell or something because of cosmic cube fuckery have Mesphito get killed, MJ remembers, Nick Fury was manipulated by Mephisto, Uatu somehow comes back etc. no more Inhuman terrigan cloud disasters

replace Quesadilla with anyone, even Bendis probably would be better

Hitler is my favorite right wing socialist xddd

...

Amazing Fantasy comes back.
Strange Tales comes back.
Marvel Premiere comes back.
What-If comes back.
Marvel Team-Up comes back.
Marvel Tales comes back.
Journey into Mystery comes back.
Tales of Suspense comes back.
Tales to Astonish comes back.
Marvel Comics Presents comes back.
Everything else gets canned.

Let the creative teams go wild. If anyone complains that nothing makes sense, just use the anthology lineup as an excuse.

No decompression.

No cut and paste panels.

You have to draw backgrounds again.

reboot it

No more legacy characters.

>but each "Season" isn't going to need a new Number 1.

No. Marvel could have it's cake and eat it too if they had books be #1 of season 3. Just have what season it is on the cover

Blackbolt screams 24/7/365.

>Bendis off Miles, assigned to Luke Cage and Jessica Jones permanently
>Jerry Conway is now writing the main Avengers line
>Joe Kelly is now running ASM
>Slott is assigned to Miles and only Miles
>keep Duggan on Deadpool, put him also on one of the X-Books
>Jason Aaron is now writing Silver Surfer
>Greg Pak is now writing the main X-Men line and Captain America
>Call Hickman and ask him to write Doctor Strange
>Mark Waid is writing Thor
>Nick Spencer is writing Guardians of the Galaxy
>publicly fellate Grant Morrison and Dan Didio in front of a live studio audience
>announce a Marvel vs DC crossover with Morrison writing it

Ewing

>Spanish translations of books. It's the second language of the US!
Fuck off.

>make amends to creators Marvel alienated over the years, like DC did with Rucka, Isabella etc.
>give more royalties to the creators of movie characters (Starlin said he got more money from KGBeast's alterego's appearance in BvS than from Drax, Thanos etc.)
>offer ludicrous amounts of money to Brubaker, Gillen, Fraction, Hickman, Remender to come back
>Bendis is only allowed to write his darlings like Miles, Riri; but he will NEVER, EVER be allowed to write books like GotG, Iron Man, Avengers
>fuck 5-6-7 part storylines, stick to 3-4 issue long stories
>the core books (Thor, Daredevil, CapAm, Hulk, F4, Spidey, Iron Man, Avengers, F4, Uncanny etc.) are now double-shipping, they also cost 3 dollars
>the core books have the most reliable and decent, but not spectacular artists
>'premium' books that are dependent on a writer-artist team don't have to be monthly; like image, allow them some time between story arcs
>no more line-wide events for a while
>if you have to do events, make them short, like DC did with JL vs SS, Night of the Monster Men, the button crossover etc.
>have some FUN crossovers like DC has (JL vs Power Rangers, GL/Planet of the Apes, Batman/TMNT)
>being competitors doesn't mean you have to be an ass to DC: bring back intercompany crossovers
>cancel America and Champions, no more SJW bullshit
>bring back Tony, Thor and Banner, let the market decide which version of the characters you keep
>stop pushing the Inhumans and Carol; they'll never happen
>fuck movie synergy
>Kelly on ASM, Guggenheim off X-Men

where do I apply for the job?

>Clean house of SJ shit.
>No more "Bad publicity is good for business!"
>Reboot universe.
>Spin X-Men off into their own imprint.
>Go back to telling great stories.
>1 event a year; no more, no less.
>No More Inhumans.
>Lower the price of books; 3.99 with a digital copy.
>Stop shitting on industry veterans and work with them to produce great stories for Marvel.
>No more exclusive contracts.

>letting Miles live
What the fuck happened to Sup Forums?

why the fuck would I care if he is contained in bendis books?

>Why would I care if there's shit on my floor if it's in the bathroom?

Part 1, basic shit

>Better/more editors are more important than getting rid of 'problem' writers
Slott can do fine, Bendis can sometimes do alright, Waid can not write shit. But they need direction. Strong editors not afraid to use their pimp hand are what Marvel needs. Framework for artistic vision.

And get Slott the fuck off Spider-Man

>Encourage experienced, skilled artists to hold workshops for younger ones
On a scale of one to pasta, good comic artists are fuckin' ravioli. A good artist can draw people to an otherwise shit comic.

>Public relations
Marvel is pretty well liked in the public eye, though less so when it comes to people who buy comics. That needs to change. No more anti-DC bullshit. Have a social media policy to cut down on the rants some of the employees have.

>Cut down on blatant political pieces
Politics in comics are 100% fine. They've always been there, they always will. But you can write a great story without it being a soapbox.

>Cut down on unnecessary cross-overs
Cross-overs are fine, but they can cause problems when they grind a story to a halt. Let the writers work it out between them, with the editors moderating

>Consistency
You don't need to have a perfect continuity that endlessly references itself. But at least in the short term, everything should make sense. Your editors need to make sure that no ongoing is conflicting with another ongoing, and that things within the last few years aren't contradicting one another.

>Floppy changes
Try something. The collector market can't live forever. Maybe cheaper comics printed on cheaper paper, something for people to read and dispose. Encourage trades

Part 2, events

Events don't kill the Marvel. Even stupid shit like CWII sold alright. What it does kill is basically every book that has it's story destroyed by the event.

So lets set some ground rules

>1 event per year
One big cross-over. Try to contain it to that year, i.e no more than about 8 issues. Everything needs to be planned out well in advance. All involved writers need their roles/tie-in explained so they can work it out in their ongoings, without it breaking a story.

>Give characters a "cool-down"
If for instance Ms Marvel appears in 2018 event, she should not appear in 2019. Preferably not 2020 either. Give characters some time to have their own stories.

Do not involve heroes with no stakes. If a character doesn't need to be there, don't waste their time.

>Change the stakes
Tying in with above. Make events at different levels, so that different heroes can be involved.

Maybe 2018 has a street level event which drags in low level heroes. A gang has come out of nowhere, far more brutally efficient and drastic than previous gangs. Street level heroes like Daredevil, Luke Cage, Misty Knight, Punisher etc are present. Bad guys like Kingpin and co

Then 2019 has a cosmic event, with the Ultimates and concepts and Fantastic Four and Nova.

This separation means you're less likely to have situations where one character is just endlessly bounced between events with no time to have something of their own

You've got street heroes, world class heroes, cosmic heroes, magic heroes. You've got specific groups like the Mutants and Inhumans. Plenty of things to work with.

>he punched hitler so he's a leftist
He also kicked the shit out of the ultra left, too.
Cap's a moderate libertarian/classical liberal.

This is the most stupid idea in this thread and one user thinks is a good idea to make Marvel a shittier Image