How did they achieve this shot?
How did they achieve this shot?
Daniel Jenkins
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Lincoln Cruz
Mirror Magik.
Tyler Cox
very carefully
Gavin Long
Magnets bitch
Levi Reed
Cameraman was a vampire
Parker Nelson
Camera is looking at Keanu who is standing in front of a two-way mirror which leads to an identical room where a Keanu look-alike is standing in front of a mirror. The mirror only picks up the reflection from the two-way mirror, so we see that room infinitely mirrored.
actually I have no fucking clue, but that's how I would've done it
Brayden Morris
It's not actually a mirror behind him.
It's a hallway with 4 body doubles
Eli Murphy
i guess the fucking camera was too?
Bentley Lee
cgi dummy
Blake Adams
well if it doesn't show a vampire's clothes than it should work on what he's holding too, right?
Hudson Collins
Camera's are soul-vampires. It's been known for centuries.
Josiah Lewis
With a fucking pencil
Lincoln Parker
What about this shot? This entire sequence is fucked. I need to know how they pulled it off.
John Jackson
If behind-the-scenes stuff dealing with mirror-scenes has taught me anything it's that there's either a green-screen and CGI, or Keanu has a twin that almost nobody has heard of that helped out by playing the mirror-image.
Anthony Jenkins
he points and pulls the trigger and bad guy dies
thats how gun works
Jackson Butler
youtube.com
check this out
Isaac Morris
in layman's terms, its just copy paste shrink airbrush camera man
Wyatt Walker
but where did they get the 4th guy?
I mean hes really small I didnt know humans could have these proportions
Levi Phillips
dat ass
Luis Martin
The camera is behind a one-way mirror
Dumbasses
Jacob Miller
>Stahelski: The gunfight itself was the easy part. Choreographing how to hide the cameras, with the acting, the gun parts, Keanu just walking and stalking… It was the better part of three months to get all [the blocking] done.
>Perry: That was a really difficult one, because that's uncharted territory for all of us, having to deal with reflections. How to use the mirrors better, and being creative. So there was a lot of swimming around for that.
>Stahelski: I’d say it was a 60 / 40 split [between practical and digital effects]. We did as much as I believe was humanly possible [in-camera].
>We used old-school tricks of putting people [in a spot, and] moving mirrors behind other mirrors to refract that; people hiding under black. I mean, as much practical as you could, from back in the day, where Orson Welles did it in Lady from Shanghai.
>We stole ideas from [director] Robert Clouse in Enter the Dragon, all the way up to modern-day VFX, like Zack Snyder did in Sucker Punch, or in Contact.
>We searched every little gag we could, and pretty much emptied the bag and invented some of our own.
Elijah Thomas
John Wick is Iiterally Reddit the flick
Zachary Harris
The camera is covered in a green blanket, so it can be covered by a mirror effect during post production
it's the ABC of film-making
Lincoln Collins
How did you come to that conclusion, you utter spastic?
Daniel Perry
you sound like a right fag
Isaiah Davis
Film editing has come a long way.
Landon Moore
You sound really smart...
Carter Butler
>not liking john wick
must be the gay
James Sanders
youtu.be
Trickier mirror scene.
Adam Martinez
Arnie's head in the shot from the back is clearly an animatronic. From here on out, I can only guess.
Brandon Brooks
The mirror shot, the Sarah T-1000 getting shot from behind by the real Sarah and the nightmare where she's yelling at herself in the park were all accomplished by using Linda Hamilton's real life twin sister
Joshua Ward
It's literally all editing baka
Kayden Rogers
Thanks for this.
Nolan Martinez
What the fuck. How convenient.
Tyler Rivera
...
Ian Brooks
What do they call the guy that holds the cameraman from behind and pulls him places.