What the fuck did this ass clown do that was so damn revolutionary before he brought about feature length animation...

What the fuck did this ass clown do that was so damn revolutionary before he brought about feature length animation. I mean, really.

Other urls found in this thread:

pbs.org/video/american-experience-walt-disney/
youtube.com/watch?v=TCt7xQ4kRRM
youtube.com/watch?v=PlNvBPIYWXw
youtube.com/watch?v=VDujHWkQDDo
twitter.com/NSFWRedditImage

He spoke out about Jews controlling/pedophiling the entertainment industry

WALT DISNEY ACCUSED OF SEXUAL MISCONDUCT

Is bringing about feature length animation not enough?

What the fuck have you done that's so revolutionary?

He was a good businesses man. That's all it takes

Nothing, really. He's basically the same as Stan Lee. Good carnival barker who found talented people to build an empire with.

Fleischer Superman is the real revolutionary.

Invented Rotoscoping just to make Superman more fluid and life like.

LIES

More LIES!

>What the fuck did this ass clown do that was so damn revolutionary before he brought about feature length animation.
Animation at the time was really poorly done. He wasn't a particularly good animator but he worked with and lead people who did great animation. People noticed.

The PBS show American Experience did a great documentary on him. It is like 4 hours long. Check it out when you have time and if you can find it. Here is a link that may or may not be available to you depending on your location (the link is unavailable to me):

pbs.org/video/american-experience-walt-disney/

He basically created anime, by mistake, fuck that guy.

>Walt was a lolicon
but that makes him even cooler

> Be Walt Disney
> It's WWII or whatever and the japs are an imposing force of fear on the nation
> Nothing has struck fear in your heart more than the red nation totalling your country in pure blood
> Your animations are the country's only source of purehearted light
> Die knowing nothing but hatred of Japan

> Get resurrected like alot later
> "WALT DISNEY IS BACK"
> "Hey, did you know that Japan was so inspired by your animation that they created their own animated entertainment? It's called Anime and its industry is bigger there than in the U.S!"
> Yfw

He just tell it as it is.

he made feature length, professionally done, realistic looking animated movies. In colour.

Before that, cartoons were 5-10 minute long black and white shorts with grotesque "cartoony" looking characters. The biggest animation studios managed to make them have very smooth animation, but you still had non-realistic designs for everything. Everything looked silly.

Walt then made Snow White, which had the same animation quality but had a human lead who moved like a real person, interacting with more fantasy creatures. This was a completely different art direction, and it allowed for a much more serious story and not just cartoons doing funny things (but it could also feature the latter).

His shorts are really funny and the animation is good.

He made the first cartoon to be synced with sound and blew minds. Mintz and Fleischer BTFO.

This was the huge thing Disney did that really revolutionized shit. It's not appreciated for being a technological marvel but it revolutionized sound in film.

>Good carnival barker who found talented people to build an empire with.
>nothing, really
Hmmmmm.

He risked EVERYTHING on the simple idea of "make really good animation" in the form of a feature length film which had simply never been done before and it fucking worked. And then he did it again with Pinocchio. Not all of his subsequent animated films were as well received (and who knows how much WWII was to blame as many of his market options were closed off) but it was enough to keep his studio going long enough for him to branch off into other venues that were tangentially related but also brought home the bank.

Mickey was liked in Japan before WWII.

Steamboat Willie was a tech demo first and foremost. That's why it was full of characters whistling, banging on things and making noise. Making noise was the whole point of the cartoon.

Redpill me on this?

>He spoke out about Jews controlling/pedophiling the entertainment industry
>Cites a quote that implies he's a pedophile
What?

It was communists. And it was only after one of Walt's animators demanded to join a union and turned the whole studio against him when he said no.

>What the fuck did this ass clown do that was so damn revolutionary before he did the thing he did which was so revolutionary

have you ever considered castrating yourself with a plastic fork?

Snow White alone made 400+ million on a 1.5 million budget. He had to mortgage his house to make that, but after that it was smooth sailing.

Note that they didn't immediately get that 400 million, but it added up after decades with them re-releasing it in the cinemas every 5-7 years.

>He made the first cartoon to be synced with sound and blew minds.

Wrong on every level, cartoons already had sound synced to animation for years. At most he -almost- was the first to make a full length short with synchronized sound and talking all throughout, but he missed it by a month by some other cartoon.

Steamboat Willie was the first of nothing. It was simply a very well made cartoon, and that's why it stuck out at the era.

Most precisely Walt secured a contract for exclusive rights to Three Strip Technicolor process, which gave his cartoons a technically edge and more vibrant colors/bigger pallet than any of his competitors.

Walt was not an inventor, he simply took the tools others created and used them to their full potential.

Weren't osamu tezuka and Walt pen pals?

also, Disney held the sole rights to do color cartoons for a few years

>What the fuck did this ass clown do that was so damn revolutionary before he brought about feature length animation. I mean, really.
-Sound in animation
-Technicolor
-Multiplane animation
-12 principles of animation
-Influenced most of the industry
-Refinement in many animation effects
-Merchandise for animation
-Made numerous series of enjoyable films
-etc

>Invented Rotoscoping
That's wrong though.

>Walt was not an inventor, he simply took the tools others created and used them to their full potential.


People tend not to realize this, but it is extraordinarily rare to see someone who is both an technical innovator and a good businessman, yet we tend to conflate the two.

There will always be people who invent something, but do not have the skill or the desire to turn it into an empire like your Disneys or your Jobs or your Gates or your Edisons, etc etc etc

>he brought about feature length animation

There you go, also Disney shorts are god tier

He asked it to bait the artist to agree with him, just for Walt to fire him for being a dirty pedo

B-but capitalism is bad! How dare he raise standards of animation immeasurably with the Silly Symphony series because he fixated on striving for high quality and new material?

Is this a horror film

I wouldn't say they were that close, but there was respect for each others work on both sides. Tezuka was a massive fan boy that based his entire style around Disney's work, while Walt enjoyed his stories and was really fond of Astro Boy in particular. According to Tezuka, it was something he liked so much he wished he thought of it(which I believe, since Tomorrowland is a thing that would go hand in hand with Astro Boy and its themes).

>cartoons already had sound synced to animation for years
Since when do silent films count?

No, he had the rights to Technicolor, which meant other studios had to find alternative means to get color in their cartoons

Yeh, and even still Flip the Frog beat Disney to color

youtube.com/watch?v=TCt7xQ4kRRM

It's a photo taken from The Mickey Mouse Club, which was a series of events held at theaters during the heyday of Mickey. It had 1,000,000 members and ton of promotion/events in its prime during the 1930's.

Disney didn't invent color in animation, but technicolor is clearly much more distinct and properly introduced the era of color.

The first recorded cartoon with sound animated to match the speech of the cartoon was
My Old Kentucky Home
youtube.com/watch?v=PlNvBPIYWXw
Several years earlier than Steamboat WIllie

Sound itself had been present in cartoons, albeit rarely synced to motion in the cartoons, for decades

I invented the sticky note

Oh, so Walt was an evil fucking Jew who stole every idea he ever "had" from someone else.

Think again. He was one of Walts most trusted animators. He was one of the nine old men.

Fleischer still got BTFO. Let's face it, the most technologically interesting thing they ever did were those Popeye cartoons with the 3D backgrounds.

>The scene in question is literally about a young girl being attractive enough to where she seduces and awakens Mowglis puberty (and thus his humanity) and convince him to leave the jungle
What's the issue? She's supposed to be sexy in the context of the story.

t. Angry jew

Yeah, nah. You're a retard. Talking films were around before Steamboat Willie (Like in The Jazz Singer, which is probably the most important example), but that doesn't take away the impact of it. Steamboat Willie specifically takes effort to make the sound effects and the music appear visually distinct to the audience by combining the two into interesting flowing set-pieces. Early Mickey is a great concept, and was executed fantastically in shorts like Steamboat Willie which is visually memorable and inventive. Sound in animation didn't exactly disappear after Mickey, either. If you've seen a number of old cartoons you can probably remember that a lot of shorts used distinctive music/sound effects as well. The Disney series Silly Symphonies (as well as Fantasia) was the result of using music with film, and most animation of that era was derived from that style.

Ah, so Walt was playing 4d chess.

Read a book about it. Oh wait, niggers can't read. Never mind...

>All those off-model characters
Frank and Ollie would have been ashamed.

I don't know about before, but Walt worked on a collab with Salvador Dali. Pretty nuts considering it's largely from 1946.

youtube.com/watch?v=VDujHWkQDDo

How does anyone become famous before they become famous? Do you think billionairs just grow on trees?

Sounds like a fucking horror film to me

Get off the internet Max Fleisher

>Salvador Dali
The same guy who did the Chupa Chups logo?