Danganronpa V3

What a dumb sexy ass!

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I love Junko!

I love Kaede Akamatsu.

No you dont

Why don't they?

I love her smelly sister!

Fuck Junko

the softest

So what Danganronpa has the best soundtrack and why is it V3?

the perkiest

Fug, imagine getting a mouth load of those fucking honkers

Has a more dumb murder been committed in the series?

From execution to motive it was just all around retarded.

I wish

t. gonta

>Flabby love handles
No thanks.

What does it feel like being a homosexual?

I love Tsumugi!

I'm just don't like chubby girls unlike (you).

its not like you're relevant enough in real life for your opinion to matter. literally a fictional character you worthless anime autistic boy

>Someone made this post unironically.

True.
youtube.com/watch?v=S4UNgvkmp6E

1-3 comes close

me on the left

It certainly has the best intro
youtube.com/watch?v=yTVOul3-1Sk

"This game doesn't make any sense!" exclaims Shuichi Saihara, protagonist of Danganronpa V3: Killing Harmony, perfectly replicating the utter confusion of series newcomers, shoved into director Kodaka's self-fellatory attempts at subverting his audience's expectations. And if nothing else, V3 accomplishes this task with flying colors - even if the rest of the narrative had to be thrust on the funeral pyre to fire the "truth bullet" that shattered DR fan's sensibilities - a bullet that Kodaka would rather like put back in the chamber, if the game's epilogue is any indication.

Danganronpa V3's contentious ending is not bad because it preys upon it's vulnerable audience, attacking the validity of their experiences, but it is cheap. The identity of youths nowadays is being increasingly supplanted from the real life role models of their Gen X parents to the fabricated personas of TV and video games said apathetic parents dump their children in front of rather than engage in any activity requiring an attachment to the concept of "family". Thus, the experiences within these media are given unwarrantable value in youth's mind, acting as an escape from the harshness of their mundane lives. Of course a postmodern deconstruction with a setting comparable to the 1998 satire "The Truman Show" would be seen as a direct attack on the sensitive audience's investment into fiction - Kodaka admits the shock instilled within the audience was evoked to mirror the protagonist's.

A very similar controversy erupted over Hideo Kojima's Metal Gear Solid 2, a game with remarkably similar themes that were explored in significantly greater depth and superior execution compared to the exhausting gauntlet of the final trial, consisting of a fairly basic theme being repeated in various manners and tone for three tiring hours. The game's themes, repeated just as disjointedly as the sophomoric ideologies of the first two games, ultimately make V3 as subtle as a shot-put ball to the head.

How can one say so little using so many words?

>What a dumb dead ass!
ftfy

I disliked the ending however the rest of the game was amazing. I still recommend it.

it really made no sense
if he did it so his sister would have another friend, why not wait until you get off scott free so everyone else dies and she gets more friends regardless.

Every single thing about it is so stupid and improbable that you can't even be mad about it, you just have to accept it and laugh along with the ride. I enjoyed it immensely. I genuinely think it's one of the best murders.