Will this go down as a chamber pop essential?
Will this go down as a chamber pop essential?
Adrian Mitchell
Other urls found in this thread:
Wyatt Taylor
chamber pop is not a real genre
it's just a jazz fusion album you hipsters
Landon Taylor
lmao it really is not tho
Nathaniel Wood
>jazz fusion
nigger what
William Cooper
No. This album doesn't stick to that sound or any sound in particular long enough for it to be conveniently labeled in any specific way other than a Radiohead album.
Hunter Watson
coldplay rip-off essential
Ayden Green
>implying Coldplay even compares to radio head
>implying that Coldplay did it first
Pleb overload
Christian Hill
>YOU REALLY MESSED UP EVERYTHING
what did he mean by this?
Jackson Bailey
poluting and global warming and all that
Brayden Hill
How does it stack up against the GOAT?
Christopher Ramirez
How could you possibly be stupid enough to call this album jazz fusion
Anthony Scott
S T O P
Lincoln Gray
Huh. Feels like Radiohead's most consistent album since The Bends to me.
Liam Ross
>jazz fusion
Have you ever heard any jazz fusion in your life and how does this sound at all like it
Jose Ward
Isaac Murphy
I've never really been into Radiohead but I love chamber pop and from the few songs I've heard this shit sounds pretty good. Need to give it a proper listen.
Chase Jackson
Dude, what. I love me some AMSP but it moves between styles like crazy. Aside from the general tendency to marry classical and electronic arrangements to dreamlike effect, the most stylistic consistency this album has is that it has 2 folksy tunes with Desert Island Disk and The Numbers. The rest of the album feels so one-shot in nature that even Hail To The Thief arguably has more stylistic cohesion.
Carter Sanders
No it flows pretty excellently. Hail to the Thief flows better than 90 % of this board will tell you, and this flows much better than that.
Bentley Ortiz
Also, this is a post rock album.
Anthony Evans
Flow is one thing and I do think the album maintains a consistent atmosphere, but in terms of genre and stylization it's pretty diverse. As for HTTT, it's actually my favorite album of theirs and just like AMSP, it definitely maintains a fantastic atmosphere from start to finish but that doesn't stop it from basically being a sampler of all of Radiohead's eras.
Asher Russell
The Present Tense >>>>>
Can't believe I saw so many ppl calling it one of the weakest...
Daniel Martinez
The only track on here I'd readily call post-rock is Ful Stop, MAYBE Daydreaming.
Lincoln Russell
This is a legitimately great album fuck off
Lucas Reyes
Parachutes is objectively GOAT Coldplay
Hudson Butler
It's as post-rock as it can't get.
Christian Powell
Prove it retarded faggot
Alexander Bennett
Does Ful Stop sound like "And It Rained All Night" from The Eraser to anyone else?
Nicholas Sanders
why is this so boring?
Owen Reyes
Because it largely eschews conventional hooks and tight performances for a more ambient and dreamy vibe. A lot of the intrigue for me comes from the sheer layers of instrumentation more than the song structures themselves.
Camden Stewart
Maybe because they're going more for an atmosphere than trying to experiment? For me, it might be their best release.
Christian Collins
Is this accurate Sup Forums?
Elijah Powell
The psych folk bit I can kinda understand with Desert Island Disk and The Numbers. Art rock is kind of a vague, catch-all term so I can't really disagree but it's not exactly informative either.
Jeremiah Brown
Psych folk maybe. There is barely any rock on this with exception to Identikit and Ful Stop
Josiah James
>chamber pop is not a real genre
>he hasn't heard Veckatimest
Jason Kelly
>experimental rock
>art pop
>indie
>electronic rock