/metal/

>those threatening motions Paul made to the guy during the song
Poor guy, dude barely spoke English, he probably had no idea that what he said was that bad

Holy shit, Paul DiAnno got hit by the age truck.
>Time is not always on his side

If you don't like the new Vektor you're probably a -core faggot or a le epic lofi atmoshitter

Or someone who actually likes thrash metal

except from my review in progress:

>...This much is apparent to an active listener upon the very first listen, but the reuse of motifs across the album goes much deeper, to a level of subtly that refuses to fully reveal itself even after half a dozen listens. Most typically, though not exclusively, the phrases are borrowed from “Ultimate Artificer” and “Pillars of Sand” which are both short and relatively simple songs marked by variation of a main rhythmic motif. Each time I listen I find more cases of these motifs popping up in other songs, often only in a harmony or in a drum fill. The the musical themes adapted from pillars of sand also seem to correspond with mentions of the lyrical themes in that song. For instance the section at 2:26-2:50 of “Recharging” begins in a direct quote of the riff at 4:00 of “Pillars of Sand” and then diverges melodically while using the same rhythm. 3:40 of charging the void foreshadows the main rhythmic phrase found in the chorus of “LCD”. Not only is the list of these subtle variations that I have already found long enough that it would be tedious to go into, but it expands every time I hear this album...

ebin

EDIT: should be 2:36. although the use of the same stuff phrases starts at 2:26, the direct quot isn't until 2:36

wow, you've really cracked the code there

I am just beginning. This album has like a thousand riffs but every one has a reason to be there.

As a thrash album it is very weak, people don't like it because it's a thrashterpiece, they like it because it's easy-to-digest melodic noodling with the occasional heavy riff to trick the listener into seeming like it's some perfect balance of prog and aggression. The raspy shrieks feel out of place when you consider how clean the album was produced, it's dishonest. The only reason Vektor decided to make metal was because metalheads are self-loathing cucks now that love it when a metal band goes above and beyond to be as un-metal as possible (see: Deafheaven, Opeth, Burzum, Sigh, and pretty much 90% of what metal magazines jerk it to nowadays)