I haven't actually thought about that yet. Do you think it's worth something? Thanks for the feedback btw
/classical/
Logan Ross
Bentley Perry
not enough contrary motion at a glance, looks like voices mostly follow each other up and down with some meandering
didn't do any math tho
Nolan Evans
>The big man wrote lots of ties to lengthen specific notes. If you plan out your fingering then you should be holding one down most of the time
In theory yes. No arguing about that. And one should definitely try binding that way. Even with Beethoven.
But with small female korean hands it won't always work out that way.
Therefor having to compromise with the pedal will benefit the piece/your own play. Of course if used for only a split second.
Grayson Gray
Do you ever use the middle sostenuto pedal? It's usually forgotten that it exists at all but it happens to be perfect for this music. If we include that as pedaling then nobody should be against it.
Ryder Martinez
Petzold
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Kevin Torres
Rarely. My teachers old restored grotrian-steinweg piano doesn't have one which is why I avoid it on my practice instrument. But I agree. It complements especially Bachs music and I would definitely include it as pedaling.
In my opinion it would be used for the same objective as the sustain pedal though.
Did you experiment with it ? Or in general with pedaling for Bach ?
Oliver Reed
I didn't even bother buying a middle pedal for my digital piano. I just use the damper, honestly. But I mentioned it since the anti-pedaling sperglord, Andras Schiff, said he uses it to play what's presumed to be organ notes in the bass because nobody's hands stretch far enough.
David Moore
Any suggestion which Bach piece I should study now?
As for my level of playing I just recently learned BWV 881 prelude
Jack Kelly
>BWV 881 prelude
Don't you want to finish the beautiful fugue ?
Owen Perry
E major. There's a video to get you hyped.
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