>shoegaze/alt rock >dreamy and creamy >T H I C C >FFO: The Smashing Pumpkins, The Cure, Built To Spill, Dinosaur Jr, Ride
New music on the way BUT MORE IMPORTANTLY CAN ANY OF YOU GUYS HELP US GET SHOWS IN THESE CITIES ON OUR TOUR: Providence or anywhere in RI, Boston or anywhere in MA, Hartford or anywhere in CT, Washington DC, Baltimore MD
>noise >drone >ambient >(dark ambient on the split with Wreckage)
Just released this split with See Through Buildings and i have a split with Ritual Chair coming up
been thinking about maybe rereleasing some of the older shit on tape again with updated artwork
Matthew Powell
feedback/recommendations from previous thread:
Very nice live-band sound. Great stuff to lean against the brick wall and drink watery beer while nodding in rhythm to. The production has a good distance from drums to guitars to vocals.
Void is very gaping and monstrous. I love this kind of drone that evokes the feeling of dark energies surging in an unknown cosmos.
Feels frenetic but still somehow focused. Thought the blips and programmed drum hits had a fun little sizzle to them. If I had any money at all I would pay to download your stuff. Also I really appreciate the visual cohesion.
A lot of interesting textures in every track. Some of em remind me of early 2000's vidya soundtracks. Feels like every piece was constructed as a genuine part of a whole. Getting this on my ipod right now.
I never really got that whole fake vinyl thing ppl do. I like the "her visit" tracks otherwise, would make for decent abstract hip hop if you ever thought about that. this is pretty nice actually, I might sit through it all later. I feel like you could do really good soundtrack work. Try sending it in to small film directors and stuff to see if they bite. not much into emo pop specially not with bedroom core production sorry lad, sounds like you've got yourself a niche though so u keep on doing you. liking this first track a lot so far the drum machine could use a bit more work in production but the synths are space age as hell and the guitars are nice and fuzzy, feels like a really good early prog record from Joe Meek era space rock. Focus on the space age pop feeling maybe even get in a singer who sounds like 50s lounge jazz. I like the random other recordings but the folk seems pretty lamewad folk, experiment a bit dude. If you're tryna be a more friendly Phil Elverum then stop BC u are a vert good guitar player, learn some songwriting stuff and make it worth smth. black cat void has nice first tembre, sounds like a really fucking big cloud, maybe get some speech samples in there and make it more fun. Doesn't change enough to warrant being that long desu. Second track is bad and you know it, is this an experiment to show how simplistic harsh noise is? repetitive, indistinct (IE Rising Sun to early Mastodon, Palm Desert Radio to Kyuss). But I don't expect you want that any other way so, you do you.
I try to be as constructive as possible BC y'all try hard and I appreciate that in and of itself, sometimes ppl like their niche and wanna keep doing it, and that's fine too.